Nineteenth Century Literature Criticism


Book Description

Presents literary criticism on the works of nineteenth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.




The Best Books


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Strange Gods


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Despite frequent declarations of the sanctity of love and marriage, British Protestant culture nurtured the fear that human affection might easily slip into idolatry. Throughout the nineteenth-century, theological essays, sermons, hymns, and didactic fiction and poetry urged the faithful to maintain a constant watch over their hearts, lest they become engrossed by human love, guilty of worshipping the creature rather than the Creator. Strange Gods: Love and Idolatry in the Victorian Novel traces the concerns produced in Protestant culture by this broad interpretation of idolatry. In chapters focusing on Charles Kingsley and Charlotte Brontë, Mary Elizabeth Braddon, George Eliot, Oscar Wilde, and Thomas Hardy, this volume shows that even supposedly secular novels obsessively reenact an ideological clash between Protestant faith and human love. Anxiety about adoring humans more than God frequently overshadows and sometimes derails the progress of romance in Victorian novels. By probing this anxiety and its narrative effects, Strange Gods uncovers how a central Protestant belief exerts its influence over stories about love and marriage.







Arts & Humanities Citation Index


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A multidisciplinary index covering the journal literature of the arts and humanities. It fully covers 1,144 of the world's leading arts and humanities journals, and it indexes individually selected, relevant items from over 6,800 major science and social science journals.




The Odd Women


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George Gissing’s The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of ‘odd’ or ‘redundant’ women, the cultural impact of ‘the new woman,’ and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be ‘odd’ or ‘redundant,’ and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing’s text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written. In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.




The Egoist


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A Dark Night's Work


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Green Tea


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'Well, a corpse is a natural thing; but this was the dreadfullest sight I ever sid...' Sheridan Le Fanu is one of the indispensable figures in the history of Gothic and horror fiction-the most important such writer in English, certainly, between Poe and M. R. James. While a number of his sensation and mystery novels were popular with mid-Victorian readers, it was in shorter forms that he truly excelled, and most showed himself an innovator in the field of uncanny fiction. Tales such as 'Carmilla' and 'Green Tea' prompted M. R. James to remark, 'he succeeds in inspiring a mysterious terror better than any other writer'. This landmark critical edition includes the original versions of all five stories later collected in the superb In a Glass Darkly, along with seven equally chilling tales spanning the length of Le Fanu's career, from 'Schalken the Painter', a pioneering story of the walking dead, to 'Laura Silver Bell', a haunting exploration of the dark side of fairy lore. Aaron Worth's introduction discusses the paranoid, claustrophobic world of Le Fanu's fiction as a counterpoint-one in its own way equally modern-to the cosmic horror tale as practiced by such writers as H. P. Lovecraft.