The Origins of the English Novel, 1600-1740


Book Description

The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.




Handbook of the English Novel of the Twentieth and Twenty-First Centuries


Book Description

The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.




Novel Beginnings


Book Description

In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course.




A Companion to the Eighteenth-Century English Novel and Culture


Book Description

A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature




The Cambridge Companion to the Twentieth-Century English Novel


Book Description

The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.




Two Centuries of Silence


Book Description

How Farsi language broke its two centuries of silence. This book is the translation of Do Gharn Sokoot, into English by an Iranian scientist and scholar. Two Centuries of silence is the saga of 200 years of struggle by Iranians in order to free themselves from the yoke of Muslim Arabs- elegantly and passionately told by Abdolhossein Zarinkoob. The book elucidates thekey reasons for the success of Muslim Arabs in their assault on Iran- a fact that was not written in the stars, nor was it an act of God. For its readers, this translation hopes to shed light on what forms the foundation of todays Iran and helpbring some understanding of Iranians and their culture. The fall of Nahavand in 642 CE marked the end of a glorious fourteenth-century history of Iran-a fascinating and dynamic history spanning the years from 700 BCE to 700 CE. For two centuries thereafter, a brutally long, chilling silence cast its shadow over the history and language of Iran. Professor Zarinkoob explores the reason behind the Sasanian downfall and how the uncouth Bedouins triumphed over an immense and glorious civilization such as that? During these two centuries- about which our recent historians have remained silent-why did Farsi become a "lost" language, obscure and traceless? In the time when Iranian swordsmen revolted against the Arabs under any pretext, fighting the Arabs and Muslims, how did Zoroastrian priests argue and debate in the light of knowledge and wisdom against the Muslim faith? Finally, why a book that tells the tale of a most turbulent period of Iran's history is titlesTwo Centuries of Silenceand not Two Centuries of Chaos and Uproar? Prof. Zarinkoob's colorful narrative unravels these mysteries through Iranian eyes and is delivered here only as they may.