Book Description
Since the invention of the stereoscope in 1830, stereoscopic 3D has remained on the cutting edge of the media and entertainment industry. Every 20 to 30 years, a new generation rediscovers stereo filmmaking, fueling its resurgence with additional twists introduced by the technological advancements of the intervening years. This encyclopedic dictionary offers a definitive compilation of information on the art and science of stereoscopic 3D, including still and moving images; film and digital image acquisition; production, post-production, distribution, and exhibition; and human visual perception. In addition to standard dictionary definitions, it includes many extended encyclopedic entries and nearly 300 black-and-white and color illustrations. Taking the mystery out of 3D's unique language, the work provides a basis for clear communication among industry professionals and historical context for those new to the discipline.