A Blues Bibliography


Book Description

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.




In The Space Of A Song


Book Description

Songs take up space and time in films. Richard Dyer's In the Space of a Song takes off from this perception, arguing that the way songs take up space indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. In the Space of a Song explores this perception through a range of examples, from classic MGM musicals to blaxploitation cinema, with the career of Lena Horne providing a turning point in the cultural dynamics of the feeling. Chapters include: The perfection of Meet Me in St. Louis A Star Is Born and the construction of authenticity ‘I seem to find the happiness I seek’: Heterosexuality and dance in the musical The space of happiness in the musical Singing prettily: Lena Horne in Hollywood Is Car Wash a musical? Music and presence in blaxploitation cinema In the Space of a Song is ideal for both scholars and students of film studies.




The Blues Walked In


Book Description

In 1936, life on the road means sleeping on the bus or in hotels for blacks only. After finishing her tour with Nobel Sissel’s orchestra, nineteen year-old Lena Horne is walking the last few blocks to her father’s hotel in Pittsburgh’s Hill District. She stops at a lemonade stand and meets a Lebanese American girl, Marie David. Marie loves movies and adores Lena, and their chance meeting sparks a relationship that will intertwine their lives forever. Lena also meets Josiah Conner, a charismatic teenager who helps out at her father Teddy’s hotel. Josiah often skips school, dreams of being a Hollywood director, and has a crush on Lena. Although the three are linked by a determination to be somebody, issues of race, class, family, and education threaten to disrupt their lives and the bonds between them. Lena’s father wants her to settle down and give up show business, but she’s entranced by the music and culture of the Hill. It’s a mecca for jazz singers and musicians, and nightspots like the Crawford Grill attract crowds of blacks and whites. Lena table-hops with local jazzmen as her father chaperones her through the clubs where she‘ll later perform. Singing makes her feel alive, and to her father’s dismay, reviewers can’t get enough of her. Duke Ellington adores her, Billy Strayhorn can’t wait to meet her, and she becomes “all the rage” in clubs and Hollywood for her beauty and almost-whiteness. Her signature version of “Stormy Weather” makes her a legend. But after sitting around for years at MGM as the studio heads try to figure out what to do with her, she isn’t quite sure what she’s worth. Marie and Josiah follow Lena’s career in Hollywood and New York through movie magazines and the Pittsburgh Courier. Years pass until their lives are brought together again when Josiah is arrested for the murder of a white man. Marie and Lena decide they must get Josiah out of prison—whatever the personal cost.




Just Remember This


Book Description

I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.




Swinging on a Star


Book Description

THE STORY: The fabulous songs of Johnny Burke are here perfectly woven into various settings and scenes as if they always belonged there. We move from a smoky 1920s Chicago Speakeasy, where we hear such songs as Dr. Rhythm and What's New to the




A Blues for Lena


Book Description

In life we all have choices to make. The question always is, will you adhere to the lessons of life? Lena will definitely find herself in a place that consulting a higher power can only help her...choices that would leave a lasting impression on her life, creating the perfect sound in a chaotic space...A Blues for Lena.




The Hornes


Book Description

Recounts the story of the Horne family spanning eight generations and describing America's developing black middle class by Lena Horne's daughter.




Buddhist Catnaps and Broken-Down Hymns


Book Description

The men and women who inhabit Tommy Housworths stories are all chasing down redemption. As in life, some of them find it while others tumble into karmic detours that lead to harrowing - and at times, darkly humorous - results. An art critic becomes obsessed with an exhibit by a provocative performance artist. A man takes in the widow of a migrant worker after her husband is gunned down at the Texas border. A photographer faces a personal crossroads after being the sole witness to a suicide jump from the Golden Gate Bridge. At once idyllic and satiric, Buddhist Catnaps & Broken-Down Hymns captures the miracles and malaise of life in 21st century America. Soulful, honest, hilarious writing. Sean Daniels, Geva Theatre NYC Piercing and unforgettable...with grit, grace, humor, and wisdom, these stories reveal us to ourselves again and again. Stacey Brown, poet, Cradle Song These stories take you on a rush of a ride. Buckle up, put your bare feet on the dash and get ready to fly. Janece Shaffer, playwright, The Geller Girls




Weighted


Book Description

All the best and worst things in life have the power to lift us up or bring us down. Often, we let outside, unforeseen and imagined concepts add to or take away from our bounty of happiness because we either dont know how or fail to use appropriate measures to achieve the results we desire. Sometimes, we have to know when to laugh, cry, scream, or be still. We forget that through it all, there is love, and when we learn to measure its worth for enriching our lives or its weight for burdening our lives, the scales will not tip in our favor for unmeasurable happiness. In joy, E.S.E. Burno




Straight Lick


Book Description

A critical examination of the films of Oscar Micheaux. One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time. Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.