A Brief History of Christian Music


Book Description

Throughout the centuries, some of the most creative musical geniuses have produced works to be performed as part of the life of the Christian church. The result is a great wealth of hymns, anthems, oratorios and other sacred music, from which organists and choirmasters throughout the world draw the hymns and other music for worship today. How has this magnificent tapestry developed? And where does the relatively small part of the pattern with which each Christian tradition is familiar fit into the tremendous variety of the whole? These are among the questions addressed by Andrew Wilson-Dickson in this absorbing account, as he takes the reader through each period of European musical history, as well as the Orthodox tradition, the growing African scene, and the many-sided American picture - North and South.




The Story of Christian Music


Book Description

Music has been at the heart of Christian worship since the beginning, and this lavishly illustrated and wonderfully written volume fully surveys the many centuries of creative Christian musical experimentation. From its roots in Jewish and Hellenistic music, through the rich tapestry of medieval chant to the full flowering of Christian music in the centuries after the Reformation and the many musical expressions of a now-global Christianity, Wilson-Dickson conveys 'a glimpse of the fecundity of imagination with which humanity has responded to the creator God.' Book jacket.




Christian Music


Book Description

Music is at the heart of the world's cultural heritage, and from the beginning has played an essential role in Christianity, with many of the greatest composers creating sacred music of all kinds. Tim Dowley traces the story of Christian music from the earliest Jewish traditions through the Renaissance and Reformation to the present day, discussing both the various liturgical traditions and non-liturgical sacred music. Dr Dowley also covers the fascinating history of hymns and sacred songs, and Christian expressions in modern jazz, folk, rock, and pop idioms. This comprehensive volume ranges widely, with specialist features on Christian music worldwide, and a focus on such varied topics as Christmas carols, the music of Handel and Bach, spirituals and the blues, medieval polyphony, Hildegard of Bingen, and Contemporary Christian Music. Dowley considers key questions, such as: What is Christian music? Is it solely music used in Christian worship? Or music with spirituality, with the power to move people? And what is the role of the Bible in all this? Richly illustrated with almost two hundred photographs and pictures, Christian Music: A Global History is a book for anyone who is moved, inspired, or intrigued by any kind of music from the Christian tradition. Key features include: - Comprehensive coverage of the history of worship music, from ancient times to the present day - In-depth articles on key themes and individuals - Provides historical, theological, and liturgical contexts for Christian music - Includes specialist articles written by international experts - Covers both Western and non-Western musical traditions - Richly illustrated throughout




A History of Contemporary Praise & Worship


Book Description

Christianity Today 2023 Book Award Finalist (History & Biography) New forms of worship have transformed the face of the American church over the past fifty years. Drawing on a wide range of primary sources, including interviews with dozens of important stakeholders and key players, this volume by two worship experts offers the first comprehensive history of Contemporary Praise & Worship. The authors provide insight into where this phenomenon began and how it reshaped the Protestant church. They also emphasize the span of denominational, regional, and ethnic expressions of contemporary worship.




The Oxford History of Christian Worship


Book Description

"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.




Jesus Rocks the World [2 Volumes]


Book Description

Contemporary Christian musiccommonly referred to by the acronym CCMis a catchall term that describes a wide range of types of music, encompassing work produced in the late 1960s to the 21st century, and incorporating rock and folk music influences. Contemporary Christian music enjoys widespread popularity, despite being unfamiliar to many modern music listeners; in recent years, sales of CCM have exceeded other more mainstream categories like jazz, Latin, and classical. This book tells the story of contemporary Christian music over the course of more than half a century--a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Music is organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2. Bob Gersztyn has been a freelance photojournalist and writer since 1994. He was previously an ordained minister who became involved in the Jesus movement in Los Angeles, CA, in 1971.Publisher's note.




The Billboard Guide to Contemporary Christian Music


Book Description

Chronicling the amazing rise of this genre from its gospel roots to today's diverse musical sound, this guide offers a complete capsule encyclopedia of Contemporary Christian artists as well as an introduction to the music form. 40 illustrations.




Apostles of Rock


Book Description

Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.




Contemporary Christian Music


Book Description




Exploring Christian Song


Book Description

This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.