A Catalogue of Books Placed in the Galleries in the Reading Room of the British Museum (Classic Reprint)


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Excerpt from A Catalogue of Books Placed in the Galleries in the Reading Room of the British Museum The present collection is not to be regarded as a Library of Reference. The chief object in forming it has been to bring together in a convenient position the books in general demand, and thus to save time in supplying books to the readers. Many books therefore which would not otherwise have found a place in it have been included, because they were found to be often asked for, and others because they form parts of collections, desirable as a whole, from which it was impossible to separate them. As far as possible, the new works and new editions have been included up to the time of going to press. It is proposed for the future that new books of importance should be incorporated into this collection as they appear, and that those which may have become obsolete, should, from time to time, be removed. It is hoped that when the plan is in full operation, there may be, within the walls of the Reading Room, a Library of some sixty thousand volumes, comprising the most useful books upon all subjects, kept up to date by the constant addition of new publications, and freely and quickly available at all hours at which the Reading Room is open to the public. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Parthenon Sculptures


Book Description

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.













Athenaeum


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The Builder


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The academy


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The Athenaeum


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