The Palaeography of Gothic Manuscript Books


Book Description

A detailed and highly illustrated survey of medieval book hands, essential for graduate students and scholars of the period.




The Oxford Handbook of Latin Palaeography


Book Description

Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines how the changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, ownership, dissemination, and use. The Oxford Handbook of Latin Palaeography includes essays on major types of script (Uncial, Insular, Beneventan, Visigothic, Gothic, etc.), describing what defines these distinct script types, and outlining when and where they were used. It expands on previous handbooks of the subject by incorporating select essays on less well-studied periods and regions, in particular late mediaeval Eastern Europe. The Oxford Handbook of Latin Palaeography is also distinguished from prior handbooks by its extensive focus on codicology and on the cultural settings and contexts of mediaeval books. Essays treat of various important features, formats, styles, and genres of mediaeval books, and of representative mediaeval libraries as intellectual centers. Additional studies explore questions of orality and the written word, the book trade, glossing and glossaries, and manuscript cataloguing. The extensive plates and figures in the volume will provide readers wtih clear illustrations of the major points, and the succinct bibliographies in each essay will direct them to more detailed works in the field.







Introduction to Manuscript Studies


Book Description

"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.




Latin Palaeography


Book Description

This work, by the greatest living authority on medieval palaeography, offers the most comprehensive and up-to-date account in any language of the history of Latin script. It also contains a detailed account of the role of the book in cultural history from antiquity to the Renaissance, which outlines the history of book illumination. Designed as a textbook, it contains a full and updated bibliography. Because the volume sets the development of Latin script in its cultural context, it also provides an unrivalled introduction to the nature of medieval Latin culture. It will be used extensively in the teaching of latin palaeography, and is unlikely to be superseded.










Under the Influence


Book Description

Lawrence Nees, Godescalc's Career and the Problems of 'Influence' - William Diebold, The Anxiety of Influence in Early Medieval Art - Helen C. Evans, Pseudo-Bonaventura on the Euphrates - Donal Cooper, Franciscan Art and Mendicant Manuscript Illumination in Italy: A Reconsideration of Iconographic Primacy - Robert Gibbs, 'Sober as a Judge': The Influence of Bolognese Law Manuscripts on Ambrogio Lorenzetti's Allegory of Justice in the Good Commune - Lucy Freeman Sandler, Illuminated in the British Isles: French Influence and/or the Englishness of English Art, 1285-1385 - T. A. Heslop, Authority and Imagination in the Illustration of Terence's Comedies - Patricia Stirnemann Anne Ritz-Guilbert, Cultural Confrontations - Ursula Weekes, The Interplay between Prints and Illuminated Manuscripts in Brigittine Convents of the Low Countries during the 16th Century - Scot McKendrick, Between Flanders and Normandy: A Case of Influence within Collaboration between Flemish and Norman Miniaturists? - Rowan Watson, Fit for a King? The Alfonso of Aragon Hours and Baronial Patronage in Late 15th-century Naples - John Lowden, Under the Influence of the Bibles Moralisees - Cecily Hennessy, The Lincoln Typikon: The Influences of Church and Family - Justine Andrews, Crossing Boundaries: Byzantine and Western Influences in a 14th-century Illustrated Commentary on Job - Dei Jackson, A Work Like No Other: Alfonso X's Cantigas de Santa Maria - Kirstin Kennedy, Evidence for the Islamic Source behind the Miniatures in Alfonso X of Castile's 1283 Libro de Ajedrez, dados y tables - David Ganz, Problems of Influence in the Utrecht Psalter







Bat Books


Book Description

This work represents an important contribution to the history of medieval books, providing full scholarly description and discussion of an otherwise very little known category of written artefact in quasi-book form, but one that the 60-odd identified examples suggest was relatively common. This volume will be of interest not only to medieval book-historians and codicologists but also to historians of medieval science and of the liturgy, and of medieval written culture and cultural practice more broadly. Although a large proportion of the volume takes the form of a catalogue, the information and explanatory material presented in the introduction to the catalogue as a whole and to each of the sections into which the catalogue is divided give the volume the coherence and value of a historical and codicological survey of this form of artefact, the kind of texts they contained, and how and by whom they were made and used. The way in which the catalogue is structured in chronological and thematic sections, each with their own introduction, also contributes to enhance this aspect of the volume.