The Ashmolean Museum


Book Description

For the first time ever, all paintings in the Department of Western Art in the Ashmolean Museum have been brought together in one volume. Every picture is illustrated and almost all are represented in colour. Biographies of all known artists in the collection are also included, making this catalogue an invaluable reference work for specialist libraries, collectors and general readers alike.




Old Master Drawings from the Ashmolean Museum


Book Description

The Ashmolean possesses one of the great international collections of drawings: a conspectus of European drawing at its most distinguished and varied. This catalog includes works by artists working in Italy, Spain, and Northern Europe, from the time of the Renaissance to the end of the eighteenth century. There are five drawings by Michelangelo, and five by Raphael, including his youthful self-portrait. Leonardo is represented by two small drawings of unicorns, and there are major studies by Perugino, Carpaccio, and Titian. An imposing group by Baroque artists is followed by fine examples of the work of Tiepolo, Canaletto, Guardi, Piazzetta, and Piranesi. From north of the Alps there are drawings by Rubens, Rembrandt, and Durer, and probably the finest study ever made by Grunewald. The art of France is represented by Claude Lorrain, Watteau, Fragonard, and Ingres, and that of Britain by Holbein, Lely, Gainsborough, John Robert Cozens, and Rowlandson.




Raphael


Book Description

The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.




A Critical and Historical Corpus of Florentine Painting


Book Description

This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.




Italian Paintings


Book Description







Italian Renaissance Frames


Book Description

Published in conjunction with the exhibition at the Metropolitan Museum of Art, New York, June to September 1990. Includes a catalogue, an introductory essay, and a glossary without pronunciations. No index. Annotation copyrighted by Book News, Inc., Portland, OR




Italian Maiolica and Europe


Book Description

"This book is a full catalogue of the Ashmolean's Italian pottery and also includes tin-glazed pottery from other countries, including Spain, France, the Low Countries, England, and Mexico. It presents a panorama of the achievement of Italian potters and pottery painters, who transformed a technology they learnt from the Islamic world into a vivid form o Renaissance art, which was then diffused across Europe and beyond, creating individual national ceramic traditions."--Publisher's description.




Histories of Conservation and Art History in Modern Europe


Book Description

This book traces the development of scientific conservation and technical art history. It takes as its starting point the final years of the nineteenth century, which saw the establishment of the first museum laboratory in Berlin, and ground-breaking international conferences on art history and conservation held in pre-World War I Germany. It follows the history of conservation and art history until the 1940s when, from the ruins of World War II, new institutions such as the Istituto Centrale del Restauro emerged, which would shape the post-war art and conservation world. The book will be of interest to scholars working in art history, conservation history, historiography, and history of science and humanities.