One Consciousness


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Jurgen: A Comedy of Justice


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Jurgen : A Comedy of Justice' is a fantasy novel by James Branch Cabell. It is a humorous romp through a medieval cosmos, including a send-up of Arthurian legend, and excursions to Heaven and Hell as in 'The Divine Comedy'. Cabell's work is recognized as a landmark in the creation of the comic fantasy novel, influencing Terry Pratchett and many others.




A Still and Quiet Conscience


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"Through the life of a courageous bishop, an absorbing look at the inner workings of the American Catholic Church, how we got here, and how it could be different. Pope Francis has spoken of his desire for pastoral bishops-shepherds who have the smell of the sheep. The story of Raymond G. Hunthausen, archbishop of Seattle from 1975-1991, is about a bishop who epitomized this style-and the price he paid. The quintessential Vatican II bishop, Hunthausen embraced the spirit of renewal, reaching out to the laity, women, and those on the margins. A courageous witness for peace, he earned national attention when he became the first American bishop to urge tax resistance as a protest against preparations for nuclear war. In doing so, he ran against the Cold War policies of the Reagan Administration. But he also came into conflict with Pope John Paul II's desire to reshape the American episcopacy. This fascinating biography not only recounts a critical turning point for the American Catholic church; it rekindles the vision of a more inclusive, prophetic, and compassionate church as 'people of God'"--Publisher's description




Literary News


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Literary News


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The Literary News


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A Comedy of Conscience


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Book News


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The Nazi Conscience


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The Nazi conscience is not an oxymoron. In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders. Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk. From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust. The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.