A Commentary and Analysis of Henry Purcell's Twelve Sonatas of Three Parts (1683)
Author : William C. Elliott
Publisher :
Page : 204 pages
File Size : 15,25 MB
Release : 1968
Category :
ISBN :
Author : William C. Elliott
Publisher :
Page : 204 pages
File Size : 15,25 MB
Release : 1968
Category :
ISBN :
Author :
Publisher :
Page : 138 pages
File Size : 43,72 MB
Release : 1893
Category :
ISBN :
Author : Henry Purcell
Publisher :
Page : 104 pages
File Size : 16,99 MB
Release : 1893
Category :
ISBN :
Author : Henry Purcell
Publisher :
Page : 172 pages
File Size : 44,73 MB
Release : 1976
Category : Dramatic music
ISBN :
Author : Alon Schab
Publisher : Boydell & Brewer
Page : 281 pages
File Size : 28,80 MB
Release : 2018
Category : Music
ISBN : 1580469205
This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
Author : Henry PURCELL
Publisher :
Page : pages
File Size : 41,33 MB
Release : 1994
Category :
ISBN :
Author : William Babell
Publisher : A-R Editions, Inc.
Page : 130 pages
File Size : 46,41 MB
Release : 2005-01-01
Category : Music
ISBN : 0895795760
Pagination: xvii + 82 pp.Parts (violin) available as B140P
Author : Henry Purcell
Publisher :
Page : pages
File Size : 50,92 MB
Release : 1976
Category :
ISBN :
Author : Rebecca Herissone
Publisher : Cambridge University Press
Page : 568 pages
File Size : 41,61 MB
Release : 2013
Category : Composition (Music)
ISBN : 1107289556
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Author : Henry Purcell
Publisher :
Page : 152 pages
File Size : 20,23 MB
Release : 1981
Category :
ISBN :