A Companion to the English Parish Church


Book Description

The Companion is a comprehensive, fully illustrated A-Z guide to all aspects of the English parish church - of which there are 18,000 dating from the post-Roman period to the present day. Subjects include architecture, fittings and furnishings, decorative and allegorical features, stained glass, monuments, brasses and effigies, traditions and folklore, parochial and vestry administration and records, and the role of the parish church in the history of a community. Entries vary in length from one-line definitions of terms to several pages in which subjects are considered in depth. The Companion is arranged alphabetically and consists of a number of primary entries from which cross-references lead on to a larger number of secondary entries. Many of the terms encountered when visiting or researching a parish church are also included, either as short individual entries or by cross-referencing. The book is illustrated with over two hundred line drawings, maps and photographs and includes suggestions for further reading, an index of churches and a list of useful addresses.




The Reformation of the English Parish Church


Book Description

In the sixteenth century, the people of England witnessed the physical transformation of their most valued buildings: their parish churches. This is the first ever full-scale investigation of the dramatic changes experienced by the English parish church during the English Reformation. By drawing on a wealth of documentary evidence, including court records, wills and church wardens' accounts, and by examining the material remains themselves - such as screens, fonts, paintings, monuments, windows and other artefacts - found in churches today, Robert Whiting reveals how, why and by whom these ancient buildings were transformed. He explores the reasons why Catholics revered the artefacts found in churches as well as why these objects became the subject of Protestant suspicion and hatred in subsequent years. This richly illustrated account sheds new light on the acts of destruction as well as the acts of creation that accompanied religious change over the course of the 'long' Reformation.




English Ritual


Book Description

A classic book of ceremonies and services according to the Western Rite, for all services other than the Eucharist which a parish priest would normally carry out. It contains orders of service for baptism, marriage, funerals, sick visiting, home communion and penance, as well as numerous blessing ceremonies for buildings, objects and events. It may be used alongside Common Worship and The Book of Common Prayer, and includes an appendix of prayers for a wide range of needs and occasions. Material from the Western Rite and the Book of Common Prayer is printed side-by-side, making this a useful resource for priests and parishioners who prefer ancient rites which pre-date the splits and divisions brought about by the Reformation.




The Music of the English Parish Church: Volume 1


Book Description

Companion volume (v. 2) contains examples of the music, sources and critical notes.




Ramsey


Book Description

"The people of Ramsey included clerics, knights, and laborers, and their activities overlapped to the point that the infamous tripartite division of medieval society - into those who prayed, fought, and worked - becomes meaningless. The book also crosses chronological boundaries, moving through decades of rebellion, plague, demographic turnover, violence, bloodshed, and war, and ending with religious upheaval that spelled the death of the 600-year-old abbey and the intrusion of an ambitious new lay landlord with courtly connections."--BOOK JACKET.




The Historical Growth of the English Parish Church


Book Description

This 1911 volume presents an account of the key features of parish churches and the historical conditions surrounding their building.




James Ussher and John Bramhall


Book Description

This book examines the lives of two leading Irish ecclesiastics, James Ussher (1581-1656) and John Bramhall (1594-1663). Both men were key players in the religious struggles that shook the British Isles during the first half of the seventeenth century, and their lives and works provide important insights into the ecclesiastical history of early modern Europe. As well as charting the careers of Ussher and Bramhall, this study introduces an original and revealing method for examining post-Reformation religion. Arguing that the Reformation was stimulated by religious impulses that pre-date Christianity, it introduces a biblical concept of 'Justice' and 'Numinous' motifs to provide a unique perspective on ecclesiastical development. Put simply, these motifs represent on the one hand, the fear of God's judgement, and on the other, the sacred conception of the fear of God. These subtle understandings that co-existed in the Catholic church were split apart at the Reformation and proved to be separate poles around which different interpretations of Protestantism gathered. By applying these looser concepts to Ussher and Bramhall, rather than rigid labels such as Arminian, Laudian or Calvinist, a more subtle understanding of their careers is possible, and provides an altogether more satisfactory method of denominational categorisation than the ones presently employed, not just for the British churches but for the history of the Reformation as a whole.




Literature and Architecture in Early Modern England


Book Description

Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.




Church Building and Society in the Later Middle Ages


Book Description

The construction of a church was undoubtedly one of the most demanding events to take place in the life of a medieval parish. It required a huge outlay of time, money and labour, and often a new organisational structure to oversee design and management. Who took control and who provided the financing was deeply shaped by local patterns in wealth, authority and institutional development - from small villages with little formal government to settlements with highly unequal populations. This all took place during a period of great economic and social change as communities managed the impact of the Black Death, the end of serfdom and the slump of the mid-fifteenth century. This original and authoritative study provides an account of how economic change, local politics and architecture combined in late-medieval England. It will be of interest to researchers of medieval, socio-economic and art history.




Yorick's Congregation


Book Description

When Mr. and Mrs. Shandy stroll out to watch Toby and Trim march in formation to the Widow Wadman's house, they use a familiar occurrence to gauge the day of the week. The sight of Mr. Yorick's congregation emerging from the parish church tells them it is a Sunday; Mrs. Shandy provides the more specific information that it is Sacrament Sunday, which tells Mr. Shandy that it is the first Sunday of the month. Modern readers may slip over this brief exchange, but it is the gateway to a series of inquiries whose answers the original readers of Tristram Shandy would have taken for granted. Drawing on modern historical research and eighteenth-century texts, Yorick's Congregation: The Church of England in the Time of Laurence Sterne answers these inquiries.