A Comparative Study of Female-Themed Art Films from China and Germany


Book Description

This book explores female-themed art films from China and Germany and seeks to illustrate how the cultural difference between the ways of representing women and narrating women's themes is shown in both countries' films, by means of analyzing two film elements: mise-en-scène and cinematography. This book analyzes female-themed art films in five topics: Marriage and Love, Birth and Motherhood, Professional Women and Housewives, Death and Despair, and Dreams and Destiny.







Chinese-German Female-Themed Art Film Culture in the Context of Globalization


Book Description

In the context of globalization, this book explores female-themed art films from China and Germany, in order to seek and illustrate how the cultural difference between the ways of representing women and narrating women's themes is shown in the films of both countries.







Representation of Working Women


Book Description

Aiming at understanding gender representation and its transition in different cultural contexts and providing insights into the underlying beliefs and values within each society, this study examined the images of women, especially working/professional women, portrayed in top-grossing feature films from China and the U.S. in the past two decades (from 2000 to 2019). A two-step dual-approach content analysis was designed and conducted to make up for the limitation of the single content analysis method, emphasizing both the descriptive function of quantitative content analysis and the interpretive function of qualitative content analysis. With a 12-question pretested codebook, the quantitative analysis generalized the characteristics of female images in top-grossing films. The following in-depth qualitative analysis delved into the details of specific gender discourses in selected films. Out of the 200 cataloged top-grossing films, 79 leading female characters (43 from Chinese films and 36 from U.S. films) in 78 films (42 Chinese films and 36 U.S. films) were examined in the quantitative analysis section, 9 female protagonists in 9 films (5 Chinese films and 4 U.S. films) were analyzed in the qualitative sections. The findings indicated the complexities of gender representation in this global era. On the one hand, the statistical results revealed homogeneous female images concerning the protagonists’ age, physical attractiveness, relationships, socioeconomic status, sex-role behavior, and personality traits. On the other hand, the in-depth critical discourse analysis indicated the impact of dominant ideologies on gender representation in each society. The representation of female protagonists echoed the social transitions and feminist thought of the past two decades. From the perspective of gender representation, the globalized commercial media and culture industry, which brings conflict and integration between local and foreign cultures, complicates the mediated social and cultural contexts and the gender images presented on media.




Crafting Chinese Memories


Book Description

Through an interdisciplinary conversation with contributors from social anthropology, religious studies, film studies, literary studies, cultural studies, and history, Crafting Chinese Memories is a novel book which addresses how works of art shape memories, and offers new ways of conceptualising storytelling, memory-making, art, and materiality. It explores the memories of artists, filmmakers, novelists, storytellers, and persons who come to terms with their own histories even as they reveal the social memories of watershed events in modern China.







Children of Marx and Coca-Cola


Book Description

Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin’s ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialogue between the narrow field of traditional art history and visual studies more generally. Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences—specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture—will find that this work fulfills an urgent need for sophisticated analysis of China’s cultural production as it assumes a key role in capitalist globalization.







Remaking Gender and the Family


Book Description

In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.