A Comparative Study of Rock Art in Later Prehistoric Europe


Book Description

The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.




Rock Art and the Prehistory of Atlantic Europe


Book Description

Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.




Signalling and Performance: Ancient Rock Art in Britain and Ireland


Book Description

This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.




Abstractions Based on Circles: Papers on prehistoric rock art presented to Stan Beckensall on his 90th birthday


Book Description

Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.




Ideology, Power and Prehistory


Book Description

This book starts from the premise that methodology has always dominated archaeology to the detriment of broader social theory.




Prehistoric Art as Prehistoric Culture


Book Description

The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.




Between the 3rd and 2nd Millennia BC: Exploring Cultural Diversity and Change in Late Prehistoric Communities


Book Description

This collection of studies on the cultural reconfigurations that occurred in western Europe between the 3rd and 2nd millennium BCE focuses on the evidence from the West of the Iberian Peninsula, and one on the South of England. They explore regional diversity and challenge grand narratives regarding Chalcolithic and Bronze Age communities.




Megasites in Prehistoric Europe


Book Description

This is an Element about some of the largest sites known in prehistoric Europe – sites so vast that they often remain undiscussed for lack of the theoretical or methodological tools required for their understanding. Here, the authors use a relational, comparative approach to identify not only what made megasites but also what made megasites so special and so large. They have selected a sample of megasites in each major period of prehistory – Neolithic, Copper, Bronze and Iron Ages – with a detailed examination of a single representative megasite for each period. The relational approach makes explicit comparisons between smaller, more 'normal' sites and the megasites using six criteria – scale, temporality, deposition / monumentality, formal open spaces, performance and congregational catchment. The authors argue that many of the largest European prehistoric megasites were congregational places.




The Drowning of a Cornish Prehistoric Landscape


Book Description

Between 2018 and 2019, Cornwall Archaeological Unit undertook two projects at Mount’s Bay, Penwith. The first involved the excavation of a Bronze Age barrow and the second, environmental augur core sampling in Marazion Marsh. Both sites lie within an area of coastal hinterland, which has been subject to incursions by rising sea levels. Since the Mesolithic, an area of approximately 1 kilometer in extent between the current shoreline and St Michael’s Mount has been lost to gradually rising sea levels. With current climate change, this process is likely to occur at an increasing rate. Given their proximity, the opportunity was taken to draw the results from the two projects together along with all available existing environmental data from the area. For the first time, the results from all previous palaeoenvironmental projects in the Mount’s Bay area have been brought together. Evidence for coastal change and sea level rise is discussed and a model for the drowning landscape presented. In addition to modeling the loss of land and describing the environment over time, social responses including the wider context of the Bronze Age barrow and later Bronze Age metalwork deposition in the Mount’s Bay environs are considered. The effects of the gradual loss of land are discussed in terms of how change is perceived, its effects on community resilience, and the construction of social memory and narratives of place. The volume presents the potential for nationally significant environmental data to survive, which demonstrates the long-term effects of climate change and rising sea levels, and peoples’ responses to these over time.




Rock Art Studies: News of the World VI


Book Description

Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions.