Ain't Gonna Let Nobody Turn Me Around


Book Description

Reveals a remarkable woman’s life and her contributions to social justice movements related to Civil Rights, feminism, lesbian and gay liberation, anti-racism, and Black feminism. As an organizer, writer, publisher, scholar-activist, and elected official, Barbara Smith has played key roles in multiple social justice movements, including Civil Rights, feminism, lesbian and gay liberation, anti-racism, and Black feminism. Her four decades of grassroots activism forged collaborations that introduced the idea that oppression must be fought on a variety of fronts simultaneously, including gender, race, class, and sexuality. By combining hard-to-find historical documents with new unpublished interviews with fellow activists, this book uncovers the deep roots of today’s “identity politics” and “intersectionality” and serves as an essential primer for practicing solidarity and resistance. “Barbara Smith is a creator of modern feminism as a writer, organizer, editor, publisher, and scholar. Now she has added to her decades as an activist outside the system by becoming an elected official who truly listens, represents, and creates bridges to a common good. She has shown us that democracy is a seed that can only be planted where we are.” — Gloria Steinem “Barbara Smith is one of the grand pioneering and prophetic voices of our time. Her truth still hurts and heals!” — Cornel West “Ain’t Gonna Let Nobody Turn Me Around is not a memoir, a biography, nor a reader. It is a reflection and a conversation. It is also a montage of forty years of documents, interviews, and articles that provide useful lessons for social justice work. This book is a tour de force that documents the life’s work of Barbara Smith and the freedom struggles she shaped.” — Duchess Harris, author of Black Feminist Politics from Kennedy to Obama




Turning Rage Into Courage


Book Description




The Edinburgh Companion to Women in Publishing, 1900–2020


Book Description

Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.







Eroticism and Containment


Book Description

Sexual confessions on television talk shows. Gender and medical discourse in colonial India. River Phoenix in My Own Private Idaho. White women in a German colony. Henry James' thwarted love. What do these seemingly diverse subjects have in common? All address, in different ways, social and cultural attempts to contain eroticism by delineating the perimeters of genders. They scrutinize the political investments in the construction of gender in such disparate locations as contemporary Hollywood, Renaissance England, colonial India and Africa, and in modern and contemporary homosexual discourse communities and in Freud's sessions with Dora. But whether the gendering of the subject follows the dictates of conservative politics or the radical agenda of a marginalized interest, the essays reveal the erotic overflow—the flood—that cannot be contained within any one gender identity. In examining how the erotic escapes containment, this work discloses problems inherent in the intersections of gender and desire. [ go to the Genders website ]




African-American Writers


Book Description

African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today




Afro Asia


Book Description

With contributions from activists, artists, and scholars, Afro Asia is a groundbreaking collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans. Bringing together autobiography, poetry, scholarly criticism, and other genres, this volume represents an activist vanguard in the cultural struggle against oppression. Afro Asia opens with analyses of historical connections between people of African and of Asian descent. An account of nineteenth-century Chinese laborers who fought against slavery and colonialism in Cuba appears alongside an exploration of African Americans’ reactions to and experiences of the Korean “conflict.” Contributors examine the fertile period of Afro-Asian exchange that began around the time of the 1955 Bandung Conference, the first meeting of leaders from Asian and African nations in the postcolonial era. One assesses the relationship of two important 1960s Asian American activists to Malcolm X and the Black Panthers. Mao Ze Dong’s 1963 and 1968 statements in support of black liberation are juxtaposed with an overview of the influence of Maoism on African American leftists. Turning to the arts, Ishmael Reed provides a brief account of how he met and helped several Asian American writers. A Vietnamese American spoken-word artist describes the impact of black hip-hop culture on working-class urban Asian American youth. Fred Ho interviews Bill Cole, an African American jazz musician who plays Asian double-reed instruments. This pioneering collection closes with an array of creative writing, including poetry, memoir, and a dialogue about identity and friendship that two writers, one Japanese American and the other African American, have performed around the United States. Contributors: Betsy Esch, Diane C. Fujino, royal hartigan, Kim Hewitt, Cheryl Higashida, Fred Ho, Everett Hoagland, Robin D. G. Kelley, Bill V. Mullen, David Mura, Ishle Park, Alexs Pate, Thien-bao Thuc Phi, Ishmael Reed, Kalamu Ya Salaam, Maya Almachar Santos, JoYin C. Shih, Ron Wheeler, Daniel Widener, Lisa Yun