A Critical and Commercial Dictionary of the Works of Painters


Book Description

Excerpt from A Critical and Commercial Dictionary of the Works of Painters: Comprising Eight Thousand Eight Hundred and Fifty Sale Notes of Pictures and Nine Hundred and Eighty Original Notes on the Subjects and Styles of Various Artists Who Have Painted in the Schools of Europe Between the Years 1250 and 1850 The prices lately given by the Trustees of our National Gallery for the works of certain masters, as well as the enormous sums which are now realised in the Paris picture mart for fine examples of Greuze and other eminent French painters, must all be kept in view by the picture speculator. The reader will find further allusion to this subject in the note on Murillo in this work. The writer has appended Descriptive Notes on the subjects and styles of all the principal masters introduced in the work, as well as Notes on a considerable number of rare painters whose names have not appeared in former dictionaries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




A Critical and Commercial Dictionary of the Works of Painters Comprising Eight Thousand Eight Hundred and Fifty Sale Notes of Pictures and Nine Hundred and Eighty Original Notes on the Subjects and Styles of Various Artists Who Have Painted in the Schools


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.






















Art Market Research


Book Description

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.