Dance for the Dead


Book Description

“Compelling . . . Nobody writes a chase better than [Thomas] Perry.”—The Washington Post Book World Jane Whitefield is the patron saint of the pursued, a Native American “guide” who specializes in making victims vanish. Calling on the ancient wisdom of the Seneca tribe and her own razor-sharp cunning, she conjures up new identities for people with nowhere left to run. She's as quick and quiet as freshly fallen show, and she covers a trail just as completely. But when a calculating killer stalks an innocent eight-year-old boy, Jane faces dangerous obstacles that will put her powers—and her life—to a terrifying test. . . . Praise for Dance for the Dead “Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody's taste.”—Entertainment Weekly “A terse thriller . . . Perry starts the story with a bang.”—San Francisco Chronicle “One of the most engaging heroines in contemporary suspense.”—The Flint Journal




A Dance for the Dead


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Dance of the Dead


Book Description

Trapped on island and surrounded by undead creatures, a dancer must call upon unlikely allies in order to save her soul Larissa Snowmane is a dancer aboard a magical riverboat. For years, the craft has traveled in Ravenloft, unopposed by the sinister beings that rule over the Dark Domains. When the boat arrives at the zombie-plagued island of Souragne, however, the crew finds itself dancing to chilling music indeed. After discovering the captain’s sinister secret, Larissa must rely upon the creatures of the swamp—and her mastery of the magical Dance of the Dead—to save her own soul.







Dance for the Dead


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Slow Dance with a Dead Man


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A contemporary novel that tracks the meandering exploits of malcontent Carl Wallington who finds himself in deep trouble with his domineering girlfriend Deborah McCaul, candidate for the U.S. House of Representatives. In the unforgiving public light of Deborah’s campaign, Carl’s seemingly poor judgment on the job creates a career-ending scandal he’d rather not deal with so he flees Philadelphia and the eventual consequences of his transgression. Carl’s journey and purpose become increasingly blurred by alcohol and drugs and he becomes convinced that Deborah and her mob are hunting him down and closing in for their revenge. He is haunted by memories of his fatherless childhood and determined to locate the only man he could ever call “Dad.” Leaving behind one undeniable clue as to his whereabouts, Carl hibernates on an Amtrak train and vanishes for twenty-four critical hours. As his friends and enemies converge on Savannah and await his arrival, Carl—a supposed fugitive—wakes up in Orlando and receives tragic but confusing news via a nomadic old clairvoyant named Helen. He races northward to verify the validity of her claim and ultimately discovers the sordid reality of life on the run and its brutal, deadly consequences.




A Dance With Death


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For their heroism and success against the enemy, two of the women's regiments were honored by designation as "Guard" regiments. At least thirty women were decorated with the gold star of Hero of the Soviet Union, their nation's highest award.




The Dance of Death


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DigiCat Publishing presents to you this special edition of "The Dance of Death" by Jean de Vauzelles, Gilles Corrozet. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




Dance of the Quick and the Dead; an Entertainment of the Imagination


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




DANCE OF DEATH


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