The Cannon Collection of Italian Paintings of the Renaissance, Mostly of the Veronese School


Book Description

Two previous catalogues of the collection were prepared by Dr. Richter and privately printed: A descriptive catalogue by J. Paul Richter of old masters of the Italian school, belonging to Henry White Cannon, esq. Villa Doccia, Fiesole, Florence, B. Seeber, 1907, and A descriptive catalogue by J. Paul Richter of the old masters of the Italian school. part II, Villa Doccia, Fiesole, Florence, 1914. These are here revised and combined into one work, with supplementary notes, etc. ... by F.J. Mather.













A Descriptive Catalogue of Old Masters of the Italian School Belonging to Henry White Cannon (1907)


Book Description

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.







The Evolution of Taste in American Collecting


Book Description

The Evolution of Taste in American Collecting is a new critical translation of René Brimo’s classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo’s foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States. In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo’s work formed a turning point and initiated a new area of academic study: the history of art collecting. Making accessible a text that has until now only been available in French, Haltman’s elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.