A. E. Housman: Selected Prose


Book Description

Lovers of Housman's poetry and admirers of his scholarship have long been aware, from the Introductory Lecture of 1892 and The Name and Nature of Poetry, 1933, that he was also master of a highly individual prose style; and others besides classical students have relished the pungency of the famous preface to his edition of Manilius. Here, in addition to these, is a selection of Housman's writings, both scholarly and general, gathered from periodicals and other out-of-the-way sources, which decisively confirms his reputation as a prose stylist. The prefaces, the adversaria and the reviews, in particular, give the layman an idea of the precision and the penetration of exact scholarship. Housman's comments and judgements on other men illuminate his own nature: withdrawn, austere, even crusty, yet gentle with the unassuming; ruthless in exposure of arrogance and pretension.







A.E. Housman


Book Description




A.E. Housman


Book Description




Selected Prose


Book Description

Housman was not only a poet but also a master of a highly individual prose style. Here is a selection of Housman's writings, both scholarly and general, gathered from periodicals and other out-of-the-way sources, which decisively confirms his reputation as a prose stylist. The prefaces, the adversaria and the reviews, in particular, give even the layman an idea of the precision and the penetration of exact scholarship. Housman's comments and judgments on other men illuminated his own nature: withdrawn, austere, even crusty, yet gentle with the unassuming; ruthless in exposure of arrogance and pretension.




A Shropshire Lad


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Selected Prose


Book Description







A. E. Housman


Book Description

This collection of essays was conceived as part of the centenary celebrations of the first publication in 1896 of one of the most popular collections of poetry ever written - A Shropshire Lad - a collection never out of print in a hundred years. Yet Housman was a recluse, an austere classicist of great renown who devoted his academic life to the correction of ancient texts. He filled his poems with the lives, loves, and deaths of simple country people whose emotions are intense and often violent, but lived his own life in stoic acceptance of his loveless, arid existence. Why his life should have been so intentionally empty of emotion raises questions about Housman's own sexuality and the relationship he had with his friend Moses Jackson and Jackson's brother Afalbert. Housman's poetry, like his life, is deceptively simple: this volume shows some of the complex currents below the surface.