Victorian Lace


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A History of Hand-made Lace


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Inventing the World


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An epic cultural journey that reveals how Venetian ingenuity and inventions—from sunglasses and forks to bonds and currency—shaped modernity. How did a small, isolated city—with a population that never exceeded 100,000, even in its heyday—come to transform western civilization? Acclaimed anthropologist Meredith Small, the author of the groundbreaking Our Babies, Ourselves examines the the unique Venetian social structure that was key to their explosion of creativity and invention that ranged from the material to social. Whether it was boats or money, medicine or face cream, opera, semicolons, tiramisu or child-labor laws, these all originated in Venice and have shaped contemporary notions of institutions and conventions ever since. The foundation of how we now think about community, health care, money, consumerism, and globalization all sprung forth from the Laguna Veneta. But Venice is far from a historic relic or a life-sized museum. It is a living city that still embraces its innovative roots. As climate change effects sea-level rises, Venice is on the front lines of preserving its legacy and cultural history to inspire a new generation of innovators.




A History of Hand-Made Lace


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A History of Hand-Made Lace: Dealing with the Origin of Lace, the Growth of the Great Lace Centres, the Mode of Manufacture, the Methods of Distiuguishing and the Care of Various Kinds of Lace




Old Italian Lace


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Old Italian Lace - Vol. I.


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OLD ITALIAN LACE. Volume I. Originally published in 1913. How can we discover the first origin of an art so modest as to be content to remain almost exclusively feminine and anonymous, flourishing in the silence of the cloister and the quiet of the fireside The meek nun stitching at an altar-cloth, or the young mother happy in the preparation of babyclothes and trimming the fine Iinen with the new form of embroidery, were all unconsciously building up the foundation of the History of Lace, and did not think of dating their handiwork. But since there are people who believe the art of lacemaking to be co-eval with that of embroidery, while others affirm that it is of Italian invention and relatively modern, it may be worth while to seek the truth from two impartial sources among documents - inventories, trousseaux lists or deeds of distinguished families apportioning property - and old pictures. Many of the earliest books on weaving, textiles and needlework, particularly those datin