A First Book in Old English


Book Description







My First Book of Indonesian Words


Book Description

My First Book of Indonesian Words introduces Indonesian language and culture to young children in a fun, playful way. The familiar ABC rhyming structure combines with sparkling illustrations to encourage the natural ability of children to pick up new languages and vocabulary quickly. Words for things kids already know in English are joined by words specific to Indonesia, giving kids a glimpse into Indonesian life and culture. Everyday expressions--like "Apa kabar?" which means "How are you?"--give kids a chance to communicate in a meaningful way and show them that when it comes to courtesy and friendliness, other cultures have a lot in common with their own. Cultural and linguistic notes are added for the parents to enhance the Indonesian learning experience. The cheerful illustrations depict a friendly and culturally rich nation, where the people are happy to know you and to share a bit of who they are and how they live.




My First Book of German Words


Book Description

"Simple text paired with themed photos invite the reader to learn to speak German"--Provided by publisher.




A Book of Middle English


Book Description

This essential Middle English textbook, now in its third edition, introduces students to the wide range of literature written in England between 1150 and 1400. New, thoroughly revised edition of this essential Middle English textbook. Introduces the language of the time, giving guidance on pronunciation, spelling, grammar, metre, vocabulary and regional dialects. Now includes extracts from 'Pearl' and Chaucer's 'Troilus and Criseyde'. Bibliographic references have been updated throughout. Each text is accompanied by detailed notes.




Hungry Animals


Book Description

These four little books with their rounded edges are perfect for introducing younger children to the world of animals. Anna Lang is an illustrator who is both delicate and funny and whose characterisations of the various animals are ironic and captivating. Turning the pages of these books, children will learn about the biggest and smallest animals, what they like to eat, what noises they make when they want to be heard and where they like to hide when they want to get away from danger or simply to relax. Children can page through the books on their own or with the help of their parents or older children to learn new words. AGES: 0 to 3 AUTHOR: Anna Lang, a Hungarian graphic designer and illustrator, currently lives and works in Milan.




Pastoral Care


Book Description

Pastoral Care, or The Book of the Pastoral Rule, is a treatise on the responsibilities of the clergy written by Pope Gregory I in which he contrasted the role of bishops as pastors of their flock with their position as nobles of the church: the definitive statement of the nature of the episcopal office. Gregory enjoined parish priests to possess strict personal, intellectual and moral standards which were considered, in certain quarters, to be unrealistic and beyond ordinary capacities. The influence of the book, however, was vast and became one of the most influential works on the topic ever written. It was translated and distributed to every bishop within the Byzantine Empire.







The Printer as Author in Early Modern English Book History


Book Description

This is the first book to demonstrate how mnemotechnic cultural commonplaces can be used to account for the look, style, and authorized content of some of the most influential books produced in early modern Britain. In his hybrid role as stationer, publisher, entrepreneur, and author, John Day, master printer of England’s Reformation, produced the premier navigation handbook, state-approved catechism and metrical psalms, Book of Martyrs, England’s first printed emblem book, and Queen Elizabeth’s Prayer Book. By virtue of finely honed book trade skills, dogged commitment to evangelical nation-building, and astute business acumen (including going after those who infringed his privileges), Day mobilized the typographical imaginary to establish what amounts to—and still remains—a potent and viable Protestant Memory Art.