A Fond Husband: Or, The Plotting Sisters
Author : Thomas D'Urfey
Publisher :
Page : 64 pages
File Size : 32,92 MB
Release : 1685
Category : English drama
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 64 pages
File Size : 32,92 MB
Release : 1685
Category : English drama
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 114 pages
File Size : 47,14 MB
Release : 1735
Category :
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 88 pages
File Size : 31,68 MB
Release : 1678
Category :
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 78 pages
File Size : 21,54 MB
Release : 1677
Category :
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 61 pages
File Size : 25,23 MB
Release : 1677
Category :
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 61 pages
File Size : 32,21 MB
Release : 1677
Category :
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 57 pages
File Size : 35,66 MB
Release : 1678
Category :
ISBN :
Author : Thomas Otway
Publisher :
Page : 384 pages
File Size : 27,44 MB
Release : 1926
Category : Private presses
ISBN :
Author :
Publisher :
Page : 244 pages
File Size : 38,10 MB
Release : 1864
Category :
ISBN :
Author : John McVeagh
Publisher : Routledge
Page : 266 pages
File Size : 12,78 MB
Release : 2017-03-02
Category : Literary Criticism
ISBN : 1351879405
Though once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.