The Bible in Music


Book Description

There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.




Families of Dickerman Ancestry


Book Description

Thomas Dickerman and his wife, Ellen, came to Dorchester Massachusetts ca. 1636. He died there in 1657. Early descendants lived in Massachusetts, Vermont, New York, New Hampshire, Connecticut and then spread throughout the U.S.




Woman, Church and State


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The Story of the Hymns


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Biographical Sketches of the Graduates of Yale College with Annals of the College History


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










COVID-19


Book Description

"COVID-19 has, like other crises, thrown into relief social injustices and gendered inequalities. BiAS 31/ ERA 8 offers theological responses to and reflections on the COVID-19 outbreak and pandemic. All are by African scholars and authors; some are academic, some experiential, and others creative or impressionistic in tone. Reflecting the ethos and commitment of the Circle of Concerned African Women Theologians ("The Circle") to nurture and promote the publications by and about African women and men committed to social justice and positive change, this issue contains the writings of some established but, predominantly, of emerging theologians. For some contributors, this is their first publication in an international series."