A Game Called Salisbury


Book Description

On Friday, July 13, 1906, fourteen-year-old Addie Lyerly descended the stairs of her Barber Junction, N.C. home and found her parents and one younger sibling bludgeoned to death with the butt of an axe. Her little sister, also injured, was barely alive, and the house had been recently set on fire. It was immediately and conveniently assumed that 5 black or mulatto tenant farmers and the wife of one had committed the crimes. Without ever going to trial, two men and one boy were convicted by a mob, stirred up by a racist press, and lynched near the railroad tracks in Salisbury, North Carolina. It was less than a month after the original murders. Although the mystery of who killed the Lyerlys remained unsolved at the time the first edition of A Game Called Salisbury was printed, Bill and Rachel James' new book, The Man From the Train, has shed new light on this case, perhaps providing the evidence that will fully exonerate Nease Gillespie, John Gillespie and Jack Dillingham, the three who were lynched on August 6, 1906. In the words of Yale History Professor, Glenda E. Gilmore, A Game Called Salisbury "pushes into the white South's darkest secrets" and exposes "the limits of justice under white supremacy."




Troubled Ground


Book Description

Cover -- Title Page -- Copyright -- Table of Contents -- Acknowledgments -- Prologue: Searching for a Troubled Past -- 1. Bygones -- 2. Old Demons of the New South -- 3. The Reaping -- 4. Presumed Guilt -- 5. A Blot Upon the State -- 6. A Reckoning -- Epilogue -- Appendix -- Notes -- Bibliography -- Index -- Cover 4.




House of the Red Fish


Book Description

1943, one year after the end of Under the Blood-Red Sun, Tomi’s Papa and Grandpa are still under arrest, and the paradise of Hawaii now lives in fear—waiting for another attack, while trying to recover from Pearl Harbor. As a Japanese American, Tomi and his family have new enemies everywhere, vigilantes who suspect all Japanese. Tomi finds hope in his goal of raising Papa’s fishing boat, sunk in the canal by the Army on the day of the attack. To Tomi, raising Papa’s boat is a sign of faith that Papa and Grandpa will return. It’s an impossible task, but Tomi is determined. For just as he now has new enemies, his struggle to raise the boat brings unexpected allies and friends.




Hold Back the Tide


Book Description

From internationally bestselling, acclaimed author Melinda Salisbury comes a darkly seductive story of murder, betrayal, love, and monsters in a small town in the Scottish Highlands. Here are the rules of living with a murderer.One: Do not draw attention to yourself.It's pretty self-explanatory -- if they don't notice you, they won't get any ideas about killing you. Be a ghost in your own home, if that's what it takes. After all, you can't kill a ghost.Of course, when you live with a murderer, sit opposite them for every meal, share a washroom and a kitchen, sleep a mere twelve feet and two flimsy walls away from them, this is impossible. Even the subtlest of spectres is bound to be noticed. Which leads to the next rule.Two: If you can't be invisible, be useful.Everyone in this quiet lakeside community knows that Alva's father killed her mother, all those years ago. There wasn't enough proof to arrest him, though, and with no other family, Alva's been forced to live with her mother's murderer, doing her best to survive until she can earn enough money to run away.One of her chores is to monitor water levels in the loch -- a task her father takes very seriously. His family has been the guardian of the loch for generations. It's a cold, lonely task, and a few times, Alva can swear she feels someone watching her. The more Alva investigates, the more she realizes that the truth can be more monstrous than lies. And while you might be able to outrun anything that emerges from the dark water, you can never escape your past . . .




The Man from the Train


Book Description

"From legendary writer Bill James, in collaboration with his daughter, Rachel, a compelling, dramatic, and meticulously researched narrative about a century-old series of unsolved axe murders across America, and how the authors came to solve them"--Jacket.




A Gentle Murderer


Book Description

DIVDIVA frightening confession leads a priest to hunt down a murderer in Grand Master of crime fiction Dorothy Salisbury Davis’s bestselling novel, which critic Anthony Boucher called “one of the best detective stories of modern times”/div On a hot Saturday night in Manhattan, Father Duffy sits in a confessional, growing alarmed as he listens to the voice of a distraught young man who speaks of bloody hair and a dead woman and a compulsion to do things with a hammer that he does not understand. Before the priest can persuade the man to confess to the police, the killer flees, still clutching the hammer.DIV The next day, Father Duffy learns that a high-class call girl on the East Side has been savagely murdered, and no suspect has been found. As he searches for the disturbed young man who he fears will kill again, cerebral New York Police detective Sergeant Ben Goldsmith takes the lead in the investigation of the call-girl murder, racing against the clock to catch a very clever killer who, when enraged, cannot control his need to swing a hammer./divDIV/div/div




Gender and Jim Crow


Book Description

Glenda Gilmore recovers the rich nuances of southern political history by placing black women at its center. She explores the pivotal and interconnected roles played by gender and race in North Carolina politics from the period immediately preceding the disfranchisement of black men in 1900 to the time black and white women gained the vote in 1920. Gender and Jim Crow argues that the ideology of white supremacy embodied in the Jim Crow laws of the turn of the century profoundly reordered society and that within this environment, black women crafted an enduring tradition of political activism. According to Gilmore, a generation of educated African American women emerged in the 1890s to become, in effect, diplomats to the white community after the disfranchisement of their husbands, brothers, and fathers. Using the lives of African American women to tell the larger story, Gilmore chronicles black women's political strategies, their feminism, and their efforts to forge political ties with white women. Her analysis highlights the active role played by women of both races in the political process and in the emergence of southern progressivism. In addition, Gilmore illuminates the manipulation of concepts of gender by white supremacists and shows how this rhetoric changed once women, black and white, gained the vote.




Where We Find Ourselves


Book Description

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.




Extra Famous


Book Description

Calvin and his friends have the opportunity to earn some money by appearing as extras in a zombie movie being filmed on a nearby beach. Illustrations.




The Dennis Brutus Tapes


Book Description

Poet and anti-apartheid activist Dennis Brutus recorded a series of tapes in the 1970s which have been edited and annotated by Bernth Lindfors to give valuable insights into Brutus's life and works. Dennis Brutus (1924-2009) is known internationally as a South African poet, anti-apartheid activist and campaigner for human rights and the release of political prisoners. His literary works include Sirens Knuckles Boots (1963), Letters to Martha, and Other Poems from a South African Prison (1968), A Simple Lust (1973), and Stubborn Hope (1978). When Dennis Brutus was a Visiting Professor at The University of Texas at Austin in 1974-75, he recorded on tape a series of reflections on his life and career. In addition, he frequently responded to questions about his poetry and political activities put to him by students and faculty in formal and informal interviews that were also captured on tape. Transcripts of a selection of these tapes, as well as reprints of two interviews recorded earlier, are reproduced here in order to put on record fragments of the autobiography of a remarkable man who lived in extraordinary times and managed to leave his mark on the land and literature of South Africa. Brutus was an effective anti-apartheid campaigner who succeeded in getting South Africa excluded from the Olympics. His opposition to racial discrimination in sports led to his arrest, banning, and imprisonment on Robben Island. Upon release, he left South Africa and lived most of the rest of his life in exile, where he continued his political work and simultaneously earned an international reputation as a poet who often sang of his love for his country. The tapes are edited by Bernth Lindfors who has added an Introduction and a transcript of a 1970 interview as well as other transcripts of lectures and discussions. Bernth Lindfors is Professor Emeritus of English and African Literatures, The University of Texas at Austin, and founding editor of Research in AfricanLiteratures. He has written and edited numerous books on African literature, including Folklore in Nigerian Literature (1973), Popular Literatures in Africa (1991), Africans on Stage (1999), Early Soyinka (2008), and Early Achebe (2009).