A Georgian Actress


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The Oxford Handbook of the Georgian Theatre 1737-1832


Book Description

The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.




A Georgian Actress


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Journal of a Residence on a Georgian Plantation in 1838-1839


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Fanny Kemble was one of the leading lights of the English theater in the nineteenth century. During a triumphant tour of America, she met and married a wealthy Philadelphian, Pierce Butler, part of whose fortune derived from his family’s vast cotton and rice plantation on the Sea Islands of Georgia. After their marriage, she spent several months (December 1838 to April 1839) living on the plantation. Profoundly shocked by what she saw, she recorded her observations of plantation life in a series of journal entries written as letters to a friend. But she never sent the letters, and it was not until the Civil War was on and Fanny was divorced from her husband and living in England, were they published. She is a reporter par excellence and records in vivid detail not just her own reactions, but the day-to-day operations of the estate as a business enterprise, the lives of the several “classes” of Negro slaves and their white masters, and the plantation’s landscape of swamps and woods, canals and rivers, stately houses and decrepit hovels. Her account is filled with drama: duels, deaths, jealousies, and episodes of humor and tenderness which lighten the gloom but also accentuate the sadness of a world of toil and misery.




The Incomparable Hester Santlow


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In the first full-length study of the English dancer-actress Hester Santlow, Moira Goff focuses on her unusual career at Drury Lane between 1706 and 1733. Goff charts Santlow's repertoire and makes extensive use of archival resources to investigate both her dancing and acting skills. Santlow made a unique contribution to the development of dance on the London stage, through her dancing roles in dance dramas by John Weaver and pantomimes by John Thurmond and Roger, as well as the virtuoso dances created for her by Mr. Isaac and Anthony L'Abbé. Goff examines Santlow's fascinating personal life, including her relationships with the politician James Craggs the Younger and the Drury Lane actor-manager Barton Booth. Santlow was unusual in making the transition from successful dancer-actress to independent and respectable widow. Goff also traces her life after retirement as her daughter's family rose from the gentry towards the aristocracy. This book will be of interest to dance and theatre historians, to women's studies scholars, and to all who are engaged with ongoing debates on the lives and careers of women on the seventeenth- and eighteenth-century stage.




Journal of a Residence on a Georgian Plantation


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Kemble, a British actress and authoress, was introduced to American slavery with her marriage to Pierce Butler, grandson of one of the largest slaveholders in Georgia. When Butler came into his inheritance, he and his new wife moved to their plantation, where Kemble quickly became appalled at the cruelty of the peculiar institution.In her most popular book, Journal of a Residence on a Georgian Plantation (1863), she chronicles her observations and arguments against slavery and the inhuman treatment of blacks in America. Her journal became a popular work of abolitionist writing, and she donated some of the money from its publication to the cause of ending slavery.Students of history will be intrigued by this firsthand account of life on a plantation in the decades before the American Civil War.British actress and writer FRANCES ANNE KEMBLE (1809-1893), a member of the Kemble theatrical family, was an outspoken abolitionist and later in life became an inspiration to author Henry James. Her most popular books are Records of a Girlhood (1878) and Records of Later Life (1882).




Georgia


Book Description

This book is the first comprehensive cultural and historical introduction to modern Georgia. It covers the country region by region, taking the form of a literary journey through the transition from Soviet Georgia to the modern independent nation state. Peter Nasmyth traveled extensively in Georgia over a period of 5 years, and his lively and topical survey charts the nation's remarkable cultural and historical journey to statehood. This authoritative, lively and perceptive book is based on hundreds of interviews with modern Georgians, from country priests to black marketeers. Georgia: Mountains and Honour will be essential reading for anyone interested in this fascinating region, as well as those requiring an insight into the life after the collapse of the old Soviet order in the richest and most dramatic of the former republics.




A Respectable Actress


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When India Hartley is accused of murder, she must uncover the deceptions of others to save herself. India Hartley, a famous and beautiful actress, is now alone after her father’s death and embarks upon a tour of theaters across the South. Her first stop is Savannah’s Southern Palace. On the eve of the second night’s performance, something goes horribly wrong. Her co-star, Arthur Sterling, is shot dead on stage in front of a packed house, and India is arrested and accused of the crime. A benefactor hires Philip Sinclair, the best—and handsomest—lawyer in Savannah to defend India. A widower, Philip is struggling to reinvent his worn-out plantation on St. Simons Island. He needs to increase his income from his law practice in order to restore Indigo Point, and hardly anything will bring him more new clients than successfully defending a famous actress on a murder charge. Because India can’t go anywhere in town without being mobbed, Philip persuades the judge handling her case to let him take her to Indigo Point until her trial date. India is charmed by the beauty of the Georgia lowcountry and is increasingly drawn to Philip. But a locked room that appears to be a shrine to Philip’s dead wife and the unsolved disappearance of a former slave girl raise troubling questions. Piecing together clues in an abandoned boat and a burned-out chapel, India discovers a trail of dark secrets that lead back to Philip, secrets that ultimately may hold the key to her freedom. If only he will believe her.




The Pear Field


Book Description

Lela knows two things: her history teacher must die and she must start a new life beyond the pear field. On the outskirts of Tbilisi, in a newly independent Georgia, is the Residential School for Intellectually Disabled Children – or, as the locals call it, the School for Idiots. Abandoned by their parents, the pupils here receive lessons in violence and neglect. At eighteen, Lela is old enough to leave, but with nowhere to go she stays and plans, both for her own escape and for the future she hopes to give Irakli, a young boy at the school. When a couple from the USA decide they want to adopt a child, Lela is determined to do everything she can to help Irakli make the most of this chance.