A Grotesque Animal


Book Description

At the age of forty-three, Amy Lee Lillard learned she was autistic. She learned she was part of a community of unseen women who fell through the gaps due to medical bias and social stereotypes. A Grotesque Animal explores the making, unmaking, and making again of a woman with an undiagnosed disorder. How did a working- class background and a deep-rooted Midwest culture of silence lead to hiding in plain sight for decades? How did sexuality and anger hide the roots of trauma among the women in her family? And what does it mean to be a queer, disabled, aging woman, a descendent of wild but tamed mothers and a survivor of the things patriarchy inflicts? Through wide-ranging styles and a combination of personal storytelling and cultural analysis, Lillard dissects anger, sexuality, autistic masking, bodies, punk, and female annihilation to create a new picture of modern women.




El pasado es un animal grotesco


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Audio CD contains original music by Diego Vainer, and words by Mariano Pensotti, performed at the premier.




The Grotesque in Art and Literature


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The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.







The Sacristy


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Catalogue


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Visions


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For Jung, the beautiful and brilliantly creative 28-year old Christiana Morgan was an inspired force whose path in self-analysis paralleled his own quest for personal knowledge. By teaching Morgan the trance-like technique of active imagination, Jung helped her embark on a series of archetypal adventures which she depicted in paintings of great virtuosity and he candidly recounted at a seminar given to some of his closest followers. Through his eloquent description of the fiery, mythic visions of a woman discovering her repressed sexuality and feminine power, Jung reveals how deeply this encounter challenged his understanding of feminine psychology. These two volumes bring together for the first time colour reproductions of Morgan's paintings with a complete transcript of the seminar.







Publication


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