A guide to the diorama of the campaigns of Wellington
Author : Richard Ford
Publisher :
Page : 80 pages
File Size : 34,1 MB
Release : 1852
Category :
ISBN :
Author : Richard Ford
Publisher :
Page : 80 pages
File Size : 34,1 MB
Release : 1852
Category :
ISBN :
Author : Richard FORD (of Heavitree, near Exeter.)
Publisher :
Page : pages
File Size : 33,82 MB
Release : 1852
Category :
ISBN :
Author : Richard Ford
Publisher :
Page : 31 pages
File Size : 18,74 MB
Release : 1852
Category :
ISBN :
Author : Richard Ford
Publisher :
Page : 74 pages
File Size : 25,48 MB
Release : 1852
Category : Great Britain
ISBN :
Author : Maggs Bros
Publisher :
Page : 234 pages
File Size : 28,27 MB
Release : 1920
Category : Antiquarian booksellers
ISBN :
Author :
Publisher :
Page : 1024 pages
File Size : 39,16 MB
Release : 1920
Category : Catalogs, Booksellers'
ISBN :
Author : Richard Ford
Publisher :
Page : 294 pages
File Size : 20,1 MB
Release : 1905
Category : Authors, English
ISBN :
Author : Richard Ford
Publisher :
Page : 290 pages
File Size : 37,91 MB
Release : 1905
Category :
ISBN :
Author : Erkki Huhtamo
Publisher : MIT Press
Page : 461 pages
File Size : 16,57 MB
Release : 2023-08-22
Category : Social Science
ISBN : 0262547546
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Author : Henry Wellesley
Publisher :
Page : 392 pages
File Size : 42,32 MB
Release : 1866
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ISBN :