A History of Discoveries on Hearing


Book Description

This volume focuses on the history of research on hearing from comparative approaches. Each chapters examines the most formative studies that led to current understanding of hearing across taxa and still influence hearing research in general. Much of the early work on hearing, which goes back to Aristotle, as well as the classic work of 16th to early 20th century scientists (e.g., Spellanzani, Retzius, Ramón y Cajal, and Helmholtz) is not well known to modern investigators. Similarly, work in the first 75 years of the 20th century is also unknown or, in some cases, dismissed because it is “old.” Much of the earlier work describes research approaches and results fundamental to our understanding of hearing as well as the beauty of observation and synthesis. The pioneering work on hearing contains ideas and questions that are still germane today. Thus, the goal of this volume is to introduce, review, and put into perspective, older but exemplary, extraordinary studies by investigators that form the basis of our knowledge as well as questions being asked today. Each chapter includes the first significant observations and approaches to hearing in the taxa and/or hearing type that is the focus of the chapter with some of the most important earlier papers discussed in some detail, including the theories, formative experiments, results, and conclusions. Each chapter provides briefer notations and citations of additional important papers that are outgrowths of the founding research – or correlate and even reverse the original works. This volume is a departure from the classic approach established for the SHAR books in which the focus has been on a single topic, and on the most recent and exciting discoveries. One difference in this volume from past SHAR volumes is that we have a more coordinated approach for the chapters to ensure that this volume is, indeed, a documentation of hearing research history, not a review of the latest status of the topic. A second difference is that the focus of the volume is on the historical value of studies. In that sense, the volume maintains the tutorial value for which SHAR books are famous, but it explores the ancestry of modern research in order to help new researchers to gain perspective on important questions and on fundamental information they may not fully appreciate – to their loss. Our interest in doing this volume comes from phenomena familiar to most senior investigators - that younger investigators often have little or no sense of the history of their discipline, and they often do not know that their “hot” new idea was not only pursued, and often solved, but further that it was solved in an elegant way. We believe it is important to bring the methodologies and discoveries on hearing done before the advent of the internet to light, for the benefit and growth of new research. In deciding on the chapter divisions for this book, we considered a number of different organizational schemes, and particularly using as a focus methodological approaches (e.g., psychoacoustics, low to high frequency types, physiology, anatomy). However, we came to the conclusion that most investigators tend to be more focused on working within a particular taxonomic group, settling on particular taxa, in many cases driven by the special hearing abilities. We also concluded that that this approach is more naturally related to the evolution not only of hearing, but also to the evolution of ideas, as much of hearing science was part of the “natural philosopher” approach that was a core element of historical discoveries.




Hearing History


Book Description

Hearing History is a long-needed introduction to the basic tenets of what is variously termed historical acoustemology, auditory culture, or aural history. Gathering twenty-one of the fields most important writings, this volume will deepen and broaden our understanding of changing perceptions of sound and hearing and the ongoing education of our senses. The essays stimulate thinking on key questions: What is aural history? Why has vision tended to triumph over hearing in historical accounts? How might we begin to reclaim the sounds of the past? With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how military, social, intellectual, and cultural historians have tackled historical acoustemologies. Investigating soundscapes that include a Puritan meetinghouse in colonial New England, the belfries of a French village at the close of the Old Regime, the court hall of Elizabeth I, and a Civil War battlefield, the essays vary just as widely in their topics, which include noise as a marker of social and cultural differences, the privileging of music as the sound of art, the persistence of Aristotelian ideas of sound into the seventeenth century, developments in sound related to medical practice, the advent of sound-recording technology, and noise pollution.




A History of Discoveries on Hearing


Book Description

This volume focuses on the history of research on hearing from comparative approaches. Each chapters examines the most formative studies that led to current understanding of hearing across taxa and still influence hearing research in general. Much of the early work on hearing, which goes back to Aristotle, as well as the classic work of 16th to early 20th century scientists (e.g., Spellanzani, Retzius, Ramón y Cajal, and Helmholtz) is not well known to modern investigators. Similarly, work in the first 75 years of the 20th century is also unknown or, in some cases, dismissed because it is “old.” Much of the earlier work describes research approaches and results fundamental to our understanding of hearing as well as the beauty of observation and synthesis. The pioneering work on hearing contains ideas and questions that are still germane today. Thus, the goal of this volume is to introduce, review, and put into perspective, older but exemplary, extraordinary studies by investigators that form the basis of our knowledge as well as questions being asked today. Each chapter includes the first significant observations and approaches to hearing in the taxa and/or hearing type that is the focus of the chapter with some of the most important earlier papers discussed in some detail, including the theories, formative experiments, results, and conclusions. Each chapter provides briefer notations and citations of additional important papers that are outgrowths of the founding research – or correlate and even reverse the original works. This volume is a departure from the classic approach established for the SHAR books in which the focus has been on a single topic, and on the most recent and exciting discoveries. One difference in this volume from past SHAR volumes is that we have a more coordinated approach for the chapters to ensure that this volume is, indeed, a documentation of hearing research history, not a review of the latest status of the topic. A second difference is that the focus of the volume is on the historical value of studies. In that sense, the volume maintains the tutorial value for which SHAR books are famous, but it explores the ancestry of modern research in order to help new researchers to gain perspective on important questions and on fundamental information they may not fully appreciate – to their loss. Our interest in doing this volume comes from phenomena familiar to most senior investigators - that younger investigators often have little or no sense of the history of their discipline, and they often do not know that their “hot” new idea was not only pursued, and often solved, but further that it was solved in an elegant way. We believe it is important to bring the methodologies and discoveries on hearing done before the advent of the internet to light, for the benefit and growth of new research. In deciding on the chapter divisions for this book, we considered a number of different organizational schemes, and particularly using as a focus methodological approaches (e.g., psychoacoustics, low to high frequency types, physiology, anatomy). However, we came to the conclusion that most investigators tend to be more focused on working within a particular taxonomic group, settling on particular taxa, in many cases driven by the special hearing abilities. We also concluded that that this approach is more naturally related to the evolution not only of hearing, but also to the evolution of ideas, as much of hearing science was part of the “natural philosopher” approach that was a core element of historical discoveries.




Hearing Beethoven


Book Description

Wallace demystifies the narratives of Beethoven’s approach to his hearing loss and instead explores how Beethoven did not "conquer" his deafness; he adapted to life with it. We’re all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven’s response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven’s music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, Wallace’s late wife, Barbara, found she couldn’t hear out of her right ear—the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn’t overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn’t do those things, either. Rather than heroically overcoming his deafness, Beethoven accomplished something even more challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Wallace tells the story of Beethoven’s creative life, interweaving it with his and Barbara’s experience to reveal aspects that only living with deafness could open up. The resulting insights make Beethoven and his music more accessible and help us see how a disability can enhance human wholeness and flourishing.




Hearing Happiness


Book Description

Weaving together lyrical history and personal memoir, Virdi powerfully examines society’s—and her own—perception of life as a deaf person in America. At the age of four, Jaipreet Virdi’s world went silent. A severe case of meningitis left her alive but deaf, suddenly treated differently by everyone. Her deafness downplayed by society and doctors, she struggled to “pass” as hearing for most of her life. Countless cures, treatments, and technologies led to dead ends. Never quite deaf enough for the Deaf community or quite hearing enough for the “normal” majority, Virdi was stuck in aural limbo for years. It wasn’t until her thirties, exasperated by problems with new digital hearing aids, that she began to actively assert her deafness and reexamine society’s—and her own—perception of life as a deaf person in America. Through lyrical history and personal memoir, Hearing Happiness raises pivotal questions about deafness in American society and the endless quest for a cure. Taking us from the 1860s up to the present, Virdi combs archives and museums to understand the long history of curious cures: ear trumpets, violet ray apparatuses, vibrating massagers, electrotherapy machines, airplane diving, bloodletting, skull hammering, and many more. Hundreds of procedures and products have promised grand miracles but always failed to deliver a universal cure—a harmful legacy that is still present in contemporary biomedicine. Blending Virdi’s own experiences together with her exploration into the fascinating history of deafness cures, Hearing Happiness is a powerful story that America needs to hear. Praise for Hearing Happiness “In part a critical memoir of her own life, this archival tour de force centers on d/Deafness, and, specifically, the obsessive search for a “cure”. . . . This survey of cure and its politics, framed by disability studies, allows readers—either for the first time or as a stunning example in the field—to think about how notions of remediation are leveraged against the most vulnerable.” —Public Books “Engaging. . . . A sweeping chronology of human deafness fortified with the author’s personal struggles and triumphs.” —Kirkus Reviews “Part memoir, part historical monograph, Virdi’s Hearing Happiness breaks the mold for academic press publications.” —Publishers Weekly “In her insightful book, Virdi probes how society perceives deafness and challenges the idea that a disability is a deficit. . . . [She] powerfully demonstrates how cures for deafness pressure individuals to change, to “be better.” —Washington Post







Deep Time of the Media


Book Description

A quest to find something new by excavating the "deep time" of media's development—not by simply looking at new media's historic forerunners, but by connecting models, machines, technologies, and accidents that have until now remained separated. Deep Time of the Media takes us on an archaeological quest into the hidden layers of media development—dynamic moments of intense activity in media design and construction that have been largely ignored in the historical-media archaeological record. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old. Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. "Media are spaces of action for constructed attempts to connect what is separated," Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.




Experiments in Hearing


Book Description




Hearing Loss


Book Description

Hearing Loss: Causes, Prevention, and Treatment covers hearing loss, causes and prevention, treatments, and future directions in the field, also looking at the cognitive problems that can develop. To avoid the "silent epidemic of hearing loss, it is necessary to promote early screening, use hearing protection, and change public attitudes toward noise. Successful treatments of hearing loss deal with restoring hearing sensitivity via hearing aids, including cochlear, brainstem, or midbrain implants. Both the technical aspects and effects on the quality of life of these devices are discussed. The integration of all aspects of hearing, hearing loss, prevention, and treatment make this a perfect one-volume course in audiology at the graduate student level. However, it is also a great reference for established audiologists, ear surgeons, neurologists, and pediatric and geriatric professionals. - Presents an in-depth overview of hearing loss, causes and prevention, treatments, and future directions in the field - Written for researchers and clinicians, such as auditory neuroscientists, audiologists, neurologists, speech pathologists, pediatricians, and geriatricians - Presents the benefits and problems with hearing aids and cochlear implants - Includes important quality of life issues




Hereditary Hearing Loss and Its Syndromes


Book Description

This is the third edition of the foremost medical reference on hereditary hearing loss. Chapters on epidemiology, embryology, non-syndromic hearing loss, and syndromic forms of hearing loss have all been updated with particular attention to the vast amount of new information on molecular mechanisms, and chapters on clinical and molecular diagnosis and on genetic susceptibility to ototoxic factors have been added. As in previous editions, the syndromes are grouped by system (visual, metabolic, cardiologic, neurologic, musculoskeletal, endocrine, etc.), with each chapter written by a recognized expert in the field. Written for practicing clinicians, this volume is an excellent reference for physicians, audiologists, and other professionals working with individuals with hearing loss and their families, and can also serve as a text for clinical training programs and for researchers in the hearing sciences.