A history of modern criticism : 1750 - 1950. 1. The later eighteenth century
Author : René Wellek
Publisher :
Page : pages
File Size : 14,45 MB
Release : 1966
Category :
ISBN :
Author : René Wellek
Publisher :
Page : pages
File Size : 14,45 MB
Release : 1966
Category :
ISBN :
Author : René Wellek
Publisher : CUP Archive
Page : 376 pages
File Size : 27,26 MB
Release : 1981-08-13
Category : Literary Criticism
ISBN : 9780521282956
Vol. 2 is missing from the series.
Author : René Wellek
Publisher :
Page : 376 pages
File Size : 40,63 MB
Release : 1955
Category : Criticism
ISBN :
Author : Kirsti Simonsuuri
Publisher : Cambridge University Press
Page : 242 pages
File Size : 22,70 MB
Release : 1979-03-15
Category : History
ISBN : 0521221986
The querelle des anciens et des modernes - the question whether writers should imitate the classics or use literary forms which seemed more suited to their own era - had been debated in Europe since the earliest days of the Renaissance. This book analyses the development of the querelle following the adoption of the argument of the modernist faction of seventeenth-century France.
Author : George Alexander Kennedy
Publisher : Cambridge University Press
Page : 532 pages
File Size : 22,98 MB
Release : 1989
Category : Literary Criticism
ISBN : 9780521300100
The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.
Author : Mary Sue Morrow
Publisher : Cambridge University Press
Page : 271 pages
File Size : 41,6 MB
Release : 1997-09-18
Category : Music
ISBN : 052158227X
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
Author : John Richetti
Publisher : Cambridge University Press
Page : 974 pages
File Size : 43,18 MB
Release : 2005-01-06
Category : Literary Criticism
ISBN : 9780521781442
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Author : René Wellek
Publisher : Yale University Press
Page : 388 pages
File Size : 24,60 MB
Release : 1955-01-01
Category : Literary Criticism
ISBN : 9780300054514
The final volume of René Wellek's monumental history of modern criticism is a comprehensive survey of the main currents of twentieth-century criticism in Western Europe. In this volume, as in the preceding books of the series, Wellek expounds and analyzes the work of the most prominent critics, offering succinct appraisals of his subjects both as individuals and as participants in the broader movements of the century. Contents I. French Criticism, 1900-1950 French Classical Criticism in the Twentieth Century Retrospect: Alain, Rémy de Gourmont The Nouvelle Revue Française: André Gide, Jacques Rivière, Ramón Fernández, Benjamin Crémiuex, Albert Thibaudet Marcel Proust The Catholic Renaissance: Charles Du Bos, Jacques Maritain and Henri Bremond, Paul Claudel Dada and Surrealism The Geneva School: Marcel Raymond, Albert Béguin, Georges Poulet Albert Camus Jean-Paul Sartre Paul Valéry Prospect II. Italian Criticism, 1900-1950 Benedetto Croce The Followers of Croce: Luigi Russo, Francesco Flora, Mario Fubini, Attilio Momigliano The Aestheticians: Giuseppe Antonio Borgese, Alfredo Gargiulo Critics concerned with English and American literature: Cesare Pavese, Mario Praz, Emilio Cecchi Italian Marxism: Antonio Gramesci, Giacomo Debenedetti The Catholic Renaissance: Carlo Bo The Close Readers: Renato Serra, Giuseppe De Robertis, Cesare De Lollis, Eugenio Montale III. Spanish Criticism, 1900-1950 Américo Castro Miguel de Unamuno Marcelino Menéndez y Pelayo and Ramón Menéndez Pidal Azorín Salvador de Madariaga Jorge Guillén Dámaso Alonso José Ortega y Gasset
Author : Zhu Guohua
Publisher : Taylor & Francis
Page : 382 pages
File Size : 36,19 MB
Release : 2023-06-19
Category : Literary Criticism
ISBN : 1000879453
With references to the theoretical framework of Michel Foucault and Pierre Bourdieu, this book offers a critical investigation into such epic issues as the end of art and the inherent laws of literature’s evolution, while conflating the two into one major argumentation. The book proceeds from Hegel's claim of "the end of art" to tackle the universal yet essential problem of literature: its legitimacy in a sociological sense. It invests Bourdieu’s sociological terms -- power, capital, habitus, field, etc. into the study of literature and art while taking on other theoretical enquiries, particularly the Marxist exploration into ideology, as well as aspects of economics and communication studies. This book will be a valuable resource for students and scholars of the sociology of literature, cultural studies, and those with specific interests in Chinese literature, literary and art theory.
Author : Sylwia Dominika Chrostowska
Publisher : University of Toronto Press
Page : 289 pages
File Size : 32,89 MB
Release : 2012-01-01
Category : Literary Criticism
ISBN : 1442643560
Literature on Trial traces the rise of modern literary criticism in Central and Eastern Europe during the eighteenth century. S.D. Chrostowska juxtaposes the discourse's written forms in three linguistic-cultural regions Germany, Poland, and Russia to show how fluid the relationship once was between the genres of criticism and those of literature. An alternative history of literary criticism, Literature on Trial marks a shift from earlier studies' focus on aesthetic principles to an emphasis on the development of literary-critical forms. Chrostowska relates cultural and institutional changes in these areas to the formation of literary-critical knowledge. She accounts for the ways in which critical discourse organized itself formally and deemed some genres 'proper' while eliminating others. Analysing works by Lessing, Goethe, and Karamzin, among others, Literature on Trial brings a fresh theoretical perspective to the links between genre as a discursive strategy and socio-political life.