Ceramics in Archaeology


Book Description

This manual on pottery-making in antiquity is a compendium of almost everything bearing on the interpretation of ancient ceramics in antiquity. Because of this, it is likely to remain a standard work for many years to come. Both the student and the more experienced researcher will benefit from this book and will find it easy to follow because of the lively presentation. The whole subject of ceramics is here, from clay acquisition to kilns and firing, backed with an extensive bibliography. It is a work of reference which should have a place on every archaeologist's bookshelf from their first day at University until retirement. In Volume II, Part Two is titled Modern Laboratory Techniques and provides a summary of the most widely used scientific techniques which can aid the archaeologist in the understanding and interpretation of ancient ceramics.




Ceramics of Iran


Book Description

A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.




Byzantine to Modern Pottery in the Aegean


Book Description

Byzantine to Modern Pottery in the Aegean is the first general introduction to and easy-to-use field guide for Medieval and Post-Medieval pottery in the Aegean. This book opens up a neglected area of Mediterranean archaeology for fieldworkers and everybody interested in the Aegean after the Roman era. Whether ceramic specialists, students or readers with a general interest, all will find here a much needed overview and indispensable reference work of Post-Classical ceramics in the Aegean region. Byzantine to Modern Pottery in the Aegean offers a detailed description of the most important wares from the Early Byzantine period, the Middle Byzantine period, the Late Byzantine/Frankish period, the Turkish/Venetian period to the Early Modern period. In addition it includes a discussion of the problems in chronology, a time-line, an at-a-glance overview of the main shapes of table wares and kitchen wares in the Aegean, as well as a glossary of terms and the essential literature for each period.







The Book Buyer


Book Description

A review and record of current literature.







Piccadilly Series


Book Description




The Athenaeum


Book Description







Porcelain


Book Description

"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth. Weaving together the experiences of entrepreneurs and artisans, state bureaucrats and female consumers, chemists and peddlers, Porcelain traces the remarkable story of “white gold” from its origins as a princely luxury item to its fate in Germany’s cataclysmic twentieth century. For three hundred years, porcelain firms have come and gone, but the industry itself, at least until very recently, has endured. After Augustus, porcelain became a quintessentially German commodity, integral to provincial pride, artisanal industrial production, and a familial sense of home. Telling the story of porcelain’s transformation from coveted luxury to household necessity and flea market staple, Porcelain offers a fascinating alternative history of art, business, taste, and consumption in Central Europe.