History of the Theatre


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Negotiating Copyright in the American Theatre: 1856–1951


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Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.




Early American Theatre from the Revolution to Thomas Jefferson


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This 2003 book examines the growth and influence of the theatre in the development of the young American Republic.




Boats Against the Current


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Boats Against the Current provides a fascinating account of how American culture emerged from the sheltered, elitist world of the eighteenth century into the dynamic, turbulent civilization that reached full bloom after the Civil War. The antebellum years were times of flux and change, years of a society rushing into the western wilds, muscular and ambitious, yet haunted by uncertainty about its future and its past. Renowned scholar Lewis Perry begins his study with a fresh look at Andrew Jackson--vividly recreating a time when Americans, feeling their ties to the past disintegrating, fostered a new fascination with history. Then Perry introduces us to the observations of such articulate foreign travelers as Alexis de Tocqueville and Fredrika Bremer. He deftly weaves together these writers' perspectives to provide a fascinating look at our emergent nation. Here, too, are the women of the cities and frontier, the peddlers, preachers, and showmen, along with such writers as Hawthorne, Emerson, Whittier, and Parker. Perry brings these personalities and writings together to show us how early nineteenth century America saw itself, in both its promise and its fears. Now available for the first time in paperback, Boats Against the Current offers a brilliant portrait of a society in the midst of change, expansion, and reflection about its own future and past. Written by one of our leading intellectual historians, it makes a major contribution to our understanding of the emergence of modern American culture.













America's Indomitable Character Volume II


Book Description

Volume II of America's Indomitable Character has information on: A synopsis of Volume I. A preview concerning the content of Volume II with the sub-themes of Nature, human nature, society, the social contract, and education and how they weave into American character identity. American character identity and its Colonial connection to the philosophy of Jean-Jacques Rousseau. The historical personage Michel Guillaume (J. Hector St. John) de Crèvecoeur, a French, British, American Colonial citizen, and the America farmer par excellence who posed the famous question: What is an American? Benjamin Franklin's contributions to the developing American character identity. Thomas Paine's revolutionary views on American character identity. Thomas Jefferson's philosophical contributions to American character identity. John Dickinson, America's soldier and founding father. Hugh Henry Brackenridge, American publisher and author who educated Colonial Americans in politics. The literary group the Connecticut Wits who were both for and against America's independent development. The role of Colonial Religion and early attitudes concerning the American Colonial Theater as they relate to American character identity. The American dramatist and jurist Royall Tyler and his play The Contrast (A Comedy in Five Acts) in which the newly developing American consciousness of independence, including female independence, vis-à-vis English foppery and buffoonery are presented. Further, the use of the Native American's chanson du mort, in this case the Song of Alknomook and the dramaturgical presentation of Yankee Doodle are of utmost importance in understanding The Contrast and how they interplay with American character identity. The Albany Plan of Union. The Declaration of Independence written by the Founding Fathers. The Articles of Confederation (and Perpetual Union). A chronology of theatrical events between 1600 and 1800.