Writers of the Spanish Colonial Period


Book Description

"These critical studies propose innovative readings and overall reformulations of the texts and authors that stand as representative of the period for the contemporary reader. The first group of articles refers to reports, chronicles, and Renaissance epics, a vast block of texts that fall in most cases halfway between history and narrative fiction, and examine the experiences of the discovery, the conquest, and the colonization of the new territories. The second group concentrates on regionally marked texts from the Baroque period, especially those of the central figure of the Mexican nun poet and intellectual, Sor Juana In s de la Cruz. Finally, there are some essays on representative texts of the latter part of the colonial period."--Publisher's description.




Staging Doubt


Book Description

This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.




Three Plays


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Human Creation Between Reality and Illusion


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Identifying quickly illusion with deception, we tend to oppose it to the reality of life. However, investigating in this collection of essays illusion's functions in the Arts, which thrives upon illusion and yet maintains its existential roots and meaningfullness in the real, we might wonder about the nature of reality itself. Does not illusion open the seeming confines of factual reality into horizons of imagination which transform it? Does it not, like art, belong essentially to the makeup of human reality? Papers by: Lanfranco Aceti, John Baldacchino, Maria Avelina Cecilia Lafuente, Jo Ann Circosta, Madalina Diaconu, Jennifer Anna Gosetti-Ferencei, Brian Grassom, Marguerite Harris, Andrew E. Hershberger, James Carlton Hughes, Lawrence Kimmel, Jung In Kwon, Ruth Ronen, Scott A. Sherer, Joanne Snow-Smith, Max Statkiewicz, Patricia Trutty-Coohill, Daniel Unger, James Werner.




Lorca's Experimental Theater


Book Description

Critical and historical discussions of the life and work of Federico García Lorca, Spain’s foremost poet and playwright of the twentieth century, often obscure the author’s more avant-garde dramatic works. In Lorca’s Experimental Theater, Andrew A. Anderson focuses on four of Lorca’s most challenging plays—Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título)—and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca’s plays can be considered conventional, these four works stand out in his corpus for challenging theatrical conventions most forcefully, both thematically and technically. With discussions of stagecraft, artistic modernism, and the historical avant-garde, Lorca’s Experimental Theater provides detailed interpretive readings of the four plays, surveys their textual and performative history, and examines the most important contemporary influences on Lorca’s creation of these expressive, innovative works.




A Textbook on Spanish


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Caravana de suenos


Book Description

Caravana de suenos condensa la esencia del pensamiento oriental a traves de un banquete de cuentos, dichos, poemas y alegorias, recopilado por uno de los mas destacados expertos en filosofia oriental. Idries Shah construye una imagen completa de una consciencia unica, relacionando la mitologia con la realidad, iluminando patrones y disenos historicos, y presentando leyendas filosoficas en esta antologia excepcional.Su titulo esta inspirado en este distico escrito por el mistico Sufi Bahaudin:"e;Aqui estamos, todos nosotros: en una caravana-sueno.Una caravana, mas un sueno; un sueno, mas una caravana.Y sabemos cuales son los suenos.En ello yace la esperanza."e;







Life's a Dream


Book Description

"What is life? A frenzy. What is life? An illusion, a shadow, a fiction; and the greatest good is fleeting, for all life is a dream, and even dreams are but dreams." That is the haunting lesson learned by Prince Sigismund in Life's a Dream (La vida es sueno), the best known and most widely admired play of Catholic Europe's greatest dramatist, Pedro Calderon de la Barca. Calderon's long life (1600-1681) witnessed the pinnacle and collapse of Spanish political power as well as the great flowering of classical Spanish literature. He inherited his dramatic principles from his brilliant predecessor, Lope de Vega, perfecting his formula with more economical plots, greater subtlety of thought, and, in some cases, deeper character development and psychological insight. The English Romantic poet, Percy Bysshe Shelley, one of the first translators of Calderon into English, was of the opinion that he "exceeds all modern dramatists, with the exception of Shakespeare, whom he resembles, however, in the depth of thought and subtlety of imagination of his writings, and in the rare power of interweaving delicate and powerful comic traits with the most tragical situations." Nowhere is Calderon's talent more evident than in Life's a Dream, the poignant tale of a prince imprisoned at birth by his astrologer-king father and liberated on the same day a beautiful woman stumbles into his life. The interwoven themes of love, loss, power, and destiny make it the peer of such plays as Oedipus and Hamlet. With the collaboration of Jonathan Thacker of Merton College, Oxford, Michael Kidd (Augsburg College, Minnesota) offers a British adaptation of his award-winning American prose translation, recipient of the Colorado Endowment for the Humanities Publication Prize in 2004. The volume comes with a generous set of supplementary materials including critical introduction, translator's notes, suggestions for directors, bibliography, and glossary.




Annales


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