The Storybook Knight


Book Description

Age Level: 4 to 8 | Grade Level: K to 4 What's a knight's greatest power? Stories, of course! From the beloved author/illustrator team behind The Snatchabook comes the ultimate storytime book about castles, knights, dragons, and the power of stories! Even dragons love a good story... Leo was a gentle knight in thought and word and deed. While other knights liked fighting, Leo liked to sit and read... When Leo's mom and dad pack him off to fight a dragon, he takes a shield, a sword—and a pile of his favorite books. But can a story be as mighty as a sword? This delightful rhyming story about books and the joy of reading is also perfect for kids who love dragon books, adventures, brave knights, and books about castles! An Autumn 2016 Kids Indie Next Pick A 2017-2018 SSYRA Jr. List Title Praise for The Snatchabook: #1 Indie Next Pick "I dare you to try to read The Snatch-a-book silently to yourself. You can't do it. The book is so wonderful it demands to be read out loud. And besides, if you didn't read the book out loud, how would the Snatch-a-book hear it?"—Caldecott Medalist Brian Selznick "This ever-so-sweet story begs to be read out loud." —Booklist " The gorgeous illustrations are a perfect match for the lively text. This book is a fabulous fit for both storytime and one-on-one reading. Children will be begging for this book to be read to them every night–clever ones will claim they want to keep the Snatchabook happy." —School Library Journal "The husband-and-wife team of the Dochertys have a winner in this heartwarming tribute to the essential role of bedtime reading in the lives of families." —Publishers Weekly "The story is sweet and the illustrations darling." —Kirkus "This whodunit with an uplifting ending will appeal to fans of How the Grinch Stole Christmas! . . . [it] celebrates bedtime reading as a ritual to be revered, and features a thief who merely wants to share in the fun." —Shelf Awareness Pro




A Medieval Book of Seasons


Book Description

"A vivid insight into the country life and seasonal activities of the year in the later middle ages.""--Cover.







The Medieval Manuscript Book


Book Description

This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.




The Absent Image


Book Description

Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.




Book of Beasts


Book Description

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.




Life in a Medieval City


Book Description

From acclaimed historians Frances and Joseph Gies comes the reissue of their classic book on day-to-day life in medieval cities, which was a source for George R.R. Martin’s Game of Thrones series. Evoking every aspect of city life in the Middle Ages, Life in a Medieval City depicts in detail what it was like to live in a prosperous city of Northwest Europe in the twelfth and thirteenth centuries. The year is 1250 CE and the city is Troyes, capital of the county of Champagne and site of two of the cycle Champagne Fairs—the “Hot Fair” in August and the “Cold Fair” in December. European civilization has emerged from the Dark Ages and is in the midst of a commercial revolution. Merchants and money men from all over Europe gather at Troyes to buy, sell, borrow, and lend, creating a bustling market center typical of the feudal era. As the Gieses take us through the day-to-day life of burghers, we learn the customs and habits of lords and serfs, how financial transactions were conducted, how medieval cities were governed, and what life was really like for a wide range of people. For serious students of the medieval era and anyone wishing to learn more about this fascinating period, Life in a Medieval City remains a timeless work of popular medieval scholarship.




The Book and the Magic of Reading in the Middle Ages


Book Description

The computer revolution is upon us. The future of books and of reading are debated. Will there be books in the next millennium? Will we still be reading? As uncertain as the answers to these questions might be, as clear is the message about the value of the book expressed by medieval writers. The contributors to the volume The Book and the Magic of Reading in the Middle Ages explore the significance of the written document as the key icon of a whole era. Both philosophers and artists, both poets and clerics wholeheartedly subscribed to the notion that reading and writing represented essential epistemological tools for spiritual, political, religious, and philosophical quests. To gain a deeper understanding of the cultural significance of the medieval book, the contributors to this volume examine pertinent statements by medieval philosophers and French, German, English, Spanish, and Italian poets.




A Medieval Storybook


Book Description

"Every medievalist with a sense of humor has wanted to do this sort of book, but too few have. Morris Bishop gives us a delightful collection of medieval storytelling, ranging from the twelfth to the fifteenth century, in Latin, Norse, French, Spanish, Italian, and English. Recommended for all popular collections and especially for children."—Library Journal "A pleasant collection of medieval tales intended for light reading. There are the usual bits and pieces from the Arthurian legend, from the lais and the collections like the ‘Decameron,’ from saints’ lives, and from the moralized exempla of the preachers’ handbooks, all illustrating the lighter side of the extraordinarily rich tradition of medieval narrative art."—Virginia Quarterly Review From the rich store of medieval tales, Morris Bishop brings together a delightful collection of thirty-five stories. Some are romantic, some religious, some realistic, some even scurrilous. There are merry tales and moral tales, sagas, allegories, and fables. They vary widely in theme and their characters represent every class of medieval society. The tales in A Medieval Storybook vividly illustrate medieval life and thought. Above all they excel as stories, and demonstrate the high level attained by narrative art in the Middle Ages and the great gift the medieval writers had for creating lively and memorable characters. Some of the stories in the book were translated by Bishop; others were translated in the nineteenth and early twentieth centuries. Line drawings by Alison Mason Kingsbury add considerably to the charm of this collection.




Introducing English Medieval Book History


Book Description

This book offers an introduction to medieval English book-history through a sequence of exemplary analyses of commonplace book-historical problems. Rather than focus on bibliographical particulars, the volume considers a variety of ways in which scholars use manuscripts to discuss book culture, and it provides a wide-ranging introductory bibliography to aid in the study. All the essays try to suggest how the study of surviving medieval books might be useful in considering medieval literary culture more generally. Subjects covered include authorship, genre, discontinuous production, scribal individuality and community, the history of libraries and the history of book provenance.