A Middle English Iliad: John Lydgate's Troy Book


Book Description

In medieval Britain, the works of Homer were practically unknown. In his absence, the half-remembered story of the Trojan War took on a distinctly Arthurian flavour, with the heroes Achilles and Hector reimagined as armoured knights on horseback, duelling with broadsword and lance. In 1412 the Prince of Wales commissioned John Lydgate, monk of Bury St. Edmunds Abbey and literary heir of Chaucer, to write him an English epic to rival those in the French and Latin. The result was Troy Book: 30,000 lines of decasyllabic rhyming couplets, completed in 1420 and dedicated to its patron--now King Henry V. Lydgate's primary source was the Latin prose Historia Destructionis Troiae of Guido delle Colonne, with supplementary material provided by Ovid, Chaucer's Troilus and Criseyde, as well as a variety of obscure Late Latin texts, such as Isidore of Seville's Etymologiae, and the Mythologiae of Fulgentius. With this edition Troy Book receives its first translation into Modern English, allowing a new generation of readers to view the Trojan War through the eyes of a fifteenth-century Briton. D. M. Smith includes a detailed introduction tracing the development of the Troy myth from the Cyclic Poets to Lydgate and beyond, along with extensive notes on Lydgate's sources, and the narrative's relationship with the established Graeco-Roman mythology. Long dismissed as a medieval curiosity, Troy Book is at last restored to its proper context in the literary evolution of the Ancient Greek Epic Cycle.










The Cambridge Guide to Homer


Book Description

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.







Lydgate's Troy book


Book Description




Lydgate's Troy Book


Book Description







Lydgate's Troy book


Book Description




War in Greek Mythology


Book Description

Even though war, and conflict generally, feature prominently in Greek mythology, comparatively little has been written on the subject. This is surprising because wars and battles in Greek mythology are freighted with symbolism and laden with meaning and significance – historical, political, social and cultural. The gods and goddesses of war are prominent members of the Greek pantheon: the battles fought by and between Olympians, Titans, giants and Amazons, between centaurs and lapiths, were pivotal in Greek civilization. The Trojan War itself had huge and far-reaching consequences for subsequent Greek culture. The ubiquity of war themes in the Greek myths is a reflection of the prominence of war in everyday Greek life and society, which makes the relative obscurity of published literature all the more puzzling. This book redresses this by showing how conflict in mythology and legend resonated loudly as essential, existentialist even, symbols in Greek culture and how they are represented in classical literature, philosophy, religion, feminism, art, statuary, ceramics, architecture, numismatics, etymology, astronomy, even vulcanology.