A Universal History of Infamy


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A Universal History of Iniquity


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Borges reveals his delight in sharing colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge.




A New Universal History of Infamy


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"If not for my indefinite sojourn in the Garden of the Forking Paths, I would have time to tell you how delighted I am that a certain intrepid Welshman has decided to continue my work. In his aping of my Universal History, this Welshman has come to find his own mischievious truth." - Jorge Luis Borges From 1933 to 1934, Jorge Luis Borges, the master of fiction whose work would change the literary world, published a series of "falsifications and distortions" in the Buenos Aires newspaper Critica. These "falsifications" used as their starting point the lives of real villains and desperados. Borges then elaborated using all of the anecdotes and myths about these historical characters, creating what amounted to "nonfictional fictions." The entire series was then published in book form as A Universal History of Infamy. Now Rhys Hughes, a Welshman of some infamy himself, has summoned his vast storytelling powers to create A New Universal History of Infamy, with all-new historical characters as the focus of his nonfiction fictions. Come along on a wild ride with unsavory types of every description. Entertaining and erudite at the same time, Hughes' book also includes some of the literary parodies Borges himself delighted in creating. With an introduction by noted critic John Clute and an afterword by Michael Simanoff.




Reading Borges after Benjamin


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This book explores the relationship between time, life, and history in the work of Jorge Luis Borges and examines his work in relation to his contemporary, Walter Benjamin. By focusing on texts from the margins of the Borges canon—including the early poems on Buenos Aires, his biography of Argentina's minstrel poet Evaristo Carriego, the stories and translations from A Universal History of Infamy, as well as some of his renowned stories and essays—Kate Jenckes argues that Borges's writing performs an allegorical representation of history. Interspersed among the readings of Borges are careful and original readings of some of Benjamin's finest essays on the relationship between life, language, and history. Reading Borges in relationship to Benjamin draws out ethical and political implications from Borges's works that have been largely overlooked by his critics.




A Universal History of Infamy


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A Universal History of Infamy' was a multi-pronged exhibition that opened across three different art spaces in Los Angeles County, with the support of the Getty Foundation, under Pacific Standard Time: LA/LA. The ?A? in the title announces the shortcomings of any ?universal history? or comprehensive exhibition survey, which is particularly relevant considering the varied interests and experiences of US Latino and Latin American artists. The artists included upend any notion of absoluteness, whether it be in relationship to what defines Latin America, the art associated with it, or the methods of approaching its complex history. In addition to curatorial essays???all different in format and scope???this publication offers a look into the different perspectives, approaches, and scales highlighted at each of the show?s venues: an encyclopedic museum (LACMA), a school (Charles White Elementary School), and an artist residency complex (18th Street Arts Center).00Exhibition: Los Angeles County Museum of Art, Los Angeles, USA (20.08.2017 - 19.02.2018) / Charles White Elementary School, Los Angeles, USA (09.12.2017 - 06.10.2018) / 18th Street Arts Center, Santa Monica, USA (09.09.2017 - 15.12.2017).




Imaginary Lives


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Our Unfinished March


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A brutal, bloody, and at times hopeful history of the vote; a primer on the opponents fighting to take it away; and a playbook for how we can save our democracy before it’s too late—from the former U.S. Attorney General on the front lines of this fight Voting is our most important right as Americans—“the right that protects all the others,” as Lyndon Johnson famously said when he signed the Voting Rights Act—but it’s also the one most violently contested throughout U.S. history. Since the gutting of the act in the landmark Shelby County v. Holder case in 2013, many states have passed laws restricting the vote. After the 2020 election, President Trump’s effort to overturn the vote has evolved into a slow-motion coup, with many Republicans launching an all-out assault on our democracy. The vote seems to be in unprecedented peril. But the peril is not at all unprecedented. America is a fragile democracy, Eric Holder argues, whose citizens have only had unfettered access to the ballot since the 1960s. He takes readers through three dramatic stories of how the vote was won: first by white men, through violence and insurrection; then by white women, through protests and mass imprisonments; and finally by African Americans, in the face of lynchings and terrorism. Next, he dives into how the vote has been stripped away since Shelby—a case in which Holder was one of the parties. He ends with visionary chapters on how we can reverse this tide of voter suppression and become a true democracy where every voice is heard and every vote is counted. Full of surprising history, intensive analysis, and actionable plans for the future, this is a powerful primer on our most urgent political struggle from one of the country's leading advocates.




A Source Book for Mediæval History


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A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.




A World Lit Only by Fire


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A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune