A painter witness to his time Minaux 1923-1986


Book Description

An extraordinary artistic and creative impulse followed WWII dark years. As early as 1946, André Minaux, artist and painter, shared it. His friends were Mourlot (master lithographer), Buffet, Lorjou and Rebeyrolle (painters) and Jean Lacouture (author and historian). His exceptional talent was unveiled by happenstance, fateful events and encouraged by great elders such as Picasso, Cocteau, Vlaminck, F.Desnoyer, Fernand Léger, Raoul Dufy, Dunoyer de Segonzac, Clavé and Lorjou. Minaux kept his distance from fashions and schools of thoughts. Art lovers were seduced by his original and powerful art. Minaux exhibited in galleries, museums and in important private collections worldwide. Also a lithographer, engraver and illustrator, he illustrated Hemingway, Cendrars, Ionesco, Agatha Christie, Giono and Marguerite Duras. He drew the famous last portrait of Gide. He found himself involved in a quarrel of figurative artists against abstracts ones, which was going full swing at the time. A painter’s route through those booming years’ artistic events. Narratives illustrated by artwork reproductions, press clippings, movie extracts, interviews and photos. A surprising life in pursuit of art he always questioned.




A Dictionary of Modern and Contemporary Art


Book Description

This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.




Dictionary of Artists


Book Description




A Dictionary of Twentieth-century Art


Book Description

The most useful reference work on twentieth-century art ever published in a single volume.




What is a Print?


Book Description

Illuminates a wide range of printmaking techniques, featuring short overviews and illustrations of more than 130 works from The Museum of Modern Art's print collection




The Independent Group


Book Description

This book provides the first comprehensive view of the IG's aims and significance.




Brancusi, Rosso, Man Ray. Framing Sculpture


Book Description

This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.




Richard Hamilton - Collected Words


Book Description

Gathers essays by the influential British painter and cultural critic on such subjects as Marcel Duchamp, Roy Lichtenstein, advertising, and industrial design.




About Modern Art


Book Description

Internationally renowned art critic David Sylvester here muses on key artists of the twentieth century and their nineteenth-century forebears. In the process, he offers profound insights into their practice of art and how we look at modern art. Focusing on the spectator's instinctive emotional and physical response to paintings by such artists as Picasso, Matisse, de Kooning, Newman, and Warhol, Sylvester brings an inspiring sense of the relevance and importance of art to life. Essays on Pollock, Twombly, and Serra, among others, were selected by Sylvester to be added to this updated edition. Book jacket.




Pablo Picasso Lithographs


Book Description

Like no other medium in which he worked, Picasso's lithography only began to realize its full potential in the decades after 1945. This new volume presents Picasso's entire lithographic oeuvre, consisting of 855 pieces -- for the first time in full color throughout the book. Assembled over the course of three decades, this collection is unmatched, impossible to be repeated or recreated in the same way. Its uniqueness lies in the rarity of its test and state printings, and its numerous single printings and unpublished sheets. Pablo Picasso: The Lithographs is the first collection of such work to list every printed sheet as an individual work and thus constitutes the most reliable reference work for the artist's lithographic oeuvre. An interview with printer Henri Deschamps offers an immediate, contemporary account of the process of creating the sheets, and Erich Franz's illuminating introduction to Picasso's lithography sharpens the viewer's eyes to the innovative diversity of this master artist whose importance has still yet to be completely accounted for.