A Perfect Ganesh


Book Description

"Two outwardly unremarkable, middle-aged lady friends throw themselves into a rousing tour of India, each one having her own secret dreams of what the fabled land of intoxicating opposites will do for the suffering she hides within ..."--Page 4 of cover.




Love! Valour! Compassion! ; And, A Perfect Ganesh


Book Description

Beautifully written, moving, and very funny, Love! Valour! Compassion! gathers together eight gay men at the upstate New York summer house of a celebrated dancer-choreographer who fears he is losing his creativity... and possibly his lover. Infidelity, flirtations, soul-searching, AIDS, truth-telling, and skinny-dipping mix monumental questions about life and death with a wacky dress rehearsal for Swan Lake performed in drag. The result is a cross between a gay Big Chill and Chekhov's The Cherry Orchard. To read it is to join in a dance of life.




Ganesha's Sweet Tooth


Book Description

The bold, bright colors of India leap off the page in this picture book retelling of how Ganesha helped write the epic Hindu poem, the Mahabharata. Ganesha is just like any other kid, except that he has the head of an elephant and rides around on a magical mouse. And he loves sweets, but when Ganesha insists on biting into a super jumbo jawbreaker laddoo, his tusk breaks off! With the help of the wise poet Vyasa, and his friend Mr. Mouse, Ganesha learns that what seems broken can be quite useful after all. With vibrant, graphic illustrations, expressive characters, and offbeat humor, this is a wonderfully inventive rendition of a classic tale. Praise for Ganesha’s Sweet Tooth “Pink elephants haven’t looked this good since Dumbo.” —The New York Times “Beautifully presented. . . . So sweet we almost want to pop it in our mouths.” —Entertainment Weekly “Stylish. . . . A fresh and comedic introduction to a Hindu legend, with a winning combination of both eye candy and actual candy.” —Publishers Weekly “Bright, elaborately detailed illustrations. . . . Grade-schoolers. . . . will enjoy the story’s turnarounds and focus on luscious sweets, and many will be ready for the classic Hindu myth.” —Booklist




Reclaiming the Sacred


Book Description

This second edition explores the territory between gay - lesbian studies, literary criticism, and religious studies. The book examines the appropriation and/or subversion of the authority of the Judeo-Christian Bible by gay and lesbian writers. Texts being focused on are 'Paradise Regained' (Milton), 'Sodom' (Rochester), 'The Life to Come' (Forster), 'The Well of Loneliness' (Radclyffe Hall), 'Desert of the Heart' (Radclyffe Hall), 'Oranges are Not the Only Fruit' (Winterson), and 'Corpus Cristi' (McNally) among others.




The Best Plays of 1993-1994


Book Description

"Featuring scenes from the ten best plays"--Jacket.




How Ganesh Got His Elephant Head


Book Description

The magical story of how Ganesh, the son of Shiva and Parvati, was brought back to life with the head of an elephant • The story of one of the most beloved characters in Indian lore, made accessible for Western children • Illustrated throughout with paintings from the classic Indian tradition Any Indian child can tell you how the beloved god Ganesh got his elephant’s head--now American children can know as well. For centuries Indian children have grown up hearing Ganesh’s story--how his mother, Parvati (an incarnation of the great mother goddess), created a small boy from sandalwood soap and commanded that he guard the palace against all intruders while she took her bath. How her husband, Shiva (the fearsome god of destruction), didn’t take kindly to being barred from his own home. How Shiva beheaded the boy during the cosmic war that followed, but then, when he realized that the balance of the entire universe was at stake, brought the boy back to life by grafting an elephant’s head onto his body and made him the people’s intercessor against the powers of destruction. Ganesh’s timeless story teaches children about the steadfast power of dedication to duty, the awe-inspiring power of a mother’s love for her child, and the gentle power of compassion, which holds the world together. Accompanied by rich, color illustrations prepared according to the traditional Hindu canon, How Ganesh Got His Elephant Head will transport children to a magical world filled with ancient wisdom.




My Little Book of Ganesha


Book Description

Let's dive into the vast and wonderful world of Hindu mythology! Clever Ganesha's got something on his mind, but what that is you'll have to read on to find. With charming illustrations and simple language, this short tale about Ganesha will entertain and delight. · This series of charmingly illustrated board books introduces kids to some of the best known and best loved gods from popular Hindu mythology, including Krishna, Ganesha, Lakshmi, Hanuman, Shiva, and Durga. · Dotted with interesting facts about each god as well as an interactive seek-and-find activity. · Suitable for bedtime reading and parent-child association. · Perfect way to familiarize babies with India's rich cultural fabric. · These books offer a fun and enjoyable introduction to timeless myths and festivals for modern kids. · A must have to impart important life lessons from various gods and goddesses. · Collect all books in the series!




Modern American Drama: Playwriting in the 1990s


Book Description

The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Tony Kushner: Angels in America: A Gay Fantasia on National Themes, Part One and Part Two (1991), Slavs! Thinking About the Longstanding Problems of Virtue and Happiness (1995) and A Dybbuk, or Between Two Worlds (1997); * Paula Vogel: Baltimore Waltz (1992), The Mineola Twins (1996) and How I Learned to Drive (1997); * Suzan-Lori Parks: The Death of the Last Black Man in the Whole Entire World (1990), The America Play (1994) and Venus (1996); * Terrence McNally: Lips Together, Teeth Apart (1991), Love! Valour! Compassion! (1997) and Corpus Christi (1998).




Reclaiming the Sacred


Book Description

The second edition of Reclaiming the Sacred: The Bible in Gay and Lesbian Culture continues the groundbreaking work of the original, exploring the territory between gay/lesbian studies, literary criticism, and religious studies. This much-anticipated follow-up examines the appropriation and/or subversion of the authority of the Judeo-Christian Bible by gay and lesbian writers. The book highlights two prevalent trends in gay and lesbian literature—a transgressive approach that challenges the authority of the Bible when used as an instrument of oppression, and an appropriative technique that explores how the Bible contributes to defining gay and lesbian spirituality. Reviewers of the first edition of Reclaiming the Sacred hailed the book’s enterprise in exploring the area between literary criticism and religious studies. Whereas contemporary literary-critical theory has been slow to integrate religion and religious history into queer theory, this pioneering journal has addressed the issue from the start with a collection of thoughtful and though-provoking articles. This latest edition expands coverage to include noncanonical ancient texts, popular Victorian religious texts, and contemporary theater. Academics and lay readers interested in literary criticism, cultural studies, and religious studies will gain new insights from topics such as: religious mystery and homosexual identity in Terrence McNally’s “Corpus Christi” same-sex biblical couples in Victorian literature homoerotic texts in the Apocrypha sodomite rhetoric in a seventeenth-century Italian text Radclyffe Hall’s lesbian messiah in her 1928 novel The Well of Loneliness homosexual temptation in John Milton’s Paradise Regained Reclaiming the Sacred counteracts the manipulative and oppressive uses to which modern writers and thinkers put the Bible and the “morality” it is presumed to inscribe. An important tool for understanding the role of the Bible in gay and lesbian culture, this remarkable book makes a powerful contribution to the advancement of studies on queer sanctity.




The Theater of Terrence McNally


Book Description

Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.