A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful


Book Description

Eloquent and influential , this 1757 treatise defines the concept of the sublime and explores how interaction with the physical world affects formulation of ideals related to beauty and art.




A philosophical enquiry into the origin of our ideas of the sublime and beautiful [by E. Burke].


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Edmund Burke


Book Description







A Philosophical Inquiry Into the Origin of Our Ideas of the Sublime and Beautiful


Book Description

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a 1757 treatise on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. It attracted the attention of prominent thinkers ... It includes several other additions by. Edmund Burke, such as: 1. Novelty. 2. Pain and Pleasure. 3. The Difference Between the Removal of Pain, and. Positive Pleasure. 4. Of Delight and Pleasure...







The Theory of the Sublime from Longinus to Kant


Book Description

The first in-depth treatment of the major theories of the sublime from Longinus to Kant.




Observations on the Feeling of the Beautiful and Sublime


Book Description

When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.