A Photographic History of Cambridge


Book Description

The 85 photographs selected for this book bring to life Cambridge's rich ethnic, occupational, and architectural heritage.




Humanitarian Photography


Book Description

This book investigates the historical evolution of 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries.




Fresh Pond


Book Description

The history of Fresh Pond Reservation—onetime summer retreat for wealthy Bostonians, center of the nineteenth-century ice industry, and stomping grounds for Harvard students—told through photographs, maps and plans, and stories. Fresh Pond Reservation, at the northwest edge of Cambridge, Massachusetts, has been described as a “landscape loved to death.” Certainly it is a landscape that has been changed by its various uses over the years and one to which Cantabridgeans and Bostonians have felt an intense attachment. Henry James returned to it in his sixties, looking for “some echo of the dreams of youth,” feeling keenly “the pleasure of memory”; a Harvard student of the 1850s fondly remembered skating parties and the chance of “flirtation with some fair-ankled beauty of breezy Boston”; modern residents argue fiercely over dogs being allowed to run free at the reservation and whether soccer or nature is a more valuable experience for Cambridge schoolchildren. In Fresh Pond, Jill Sinclair tells the story of the pond and its surrounding land through photographs, drawings, maps, plans, and an engaging narrative of the pond's geological, historical, and political ecology. Fresh Pond has been a Native American hunting and fishing ground; the site of an eighteenth-century hotel offering bowling, food and wine, and impromptu performances by Harvard men; a summer retreat for wealthy Bostonians; a training ground for trench warfare; a location for picnics and festivals for workers and sporting activities for all. The parkland features an Olmsted design, albeit an imperfectly realized one. The pond itself—a natural lake carved out by the retreating Ice Age about 15,000 years ago—was a center of the nineteenth-century ice industry (disparaged by Thoreau, writing about another pond), and still supplies the city of Cambridge with fresh drinking water. Sinclair's celebration of a local landscape also alerts us to broader issues—shifts in public attitudes toward nature (is it brutal wilderness or in need of protection?) and water (precious commodity or limitless flow?)—that resonate as we remake our relationship to the landscape.




The Cambridge History of the American Novel


Book Description

An authoritative and lively account of the development of the genre, by leading experts in the field.




First Families


Book Description

When L. Frank and Marina Drummer went on the road in 2002, they set out to visit as many people from different California tribes as possible. Crisscrossing the state, they taped hundreds of hours of interviews and collected copies of nearly fifteen hundred family photos. The documentary project, funded by the California State Library and LEF Foundation, paints an unprecedented portrait of California's indigenous people using their own words and photographs from their own family albums. In turns moody, beautiful, warm, and humorous, First Families is a one-of-a-kind book that combines extremely personal images with text that gives readers a broader, deeper view of Indian history and many complex living cultures.




Cambridge on the Charles


Book Description




Victorian Boston Today


Book Description

This lavishly illustrated guidebook to the many distinctive attractions of Boston's Victorian heritage provides the walker and the armchair traveler alike with delightful and enlightening discoveries of the city's remarkable treasure trove of nineteenth-century landmarks and luminaries. Victorian Boston Today, edited by Mary Melvin Petronella for the New England Chapter of the Victorian Society of America, includes a beautifully drawn map for each tour, and contains such features as expanded descriptive captions for the profuse vintage illustrations, telephone numbers and web addresses for sites open to the public, directions between tour sites, information about public transportation, and a wealth of other practical enhancements and tips. From the South End's signature residential squares to the Black Heritage Trail to Jamaica Plain's pastoral landscape, these walking tours vividly recapture the spirit of Victorian Boston. The guidebook will fascinate Boston residents, tourists, and historians, and it will provide inspiration for the active preservation of the city's magnificent buildings and neighborhoods.




Photographers


Book Description




Photographs, Museums, Collections


Book Description

The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual record on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects, and many of these collections remain uncatalogued and their significance unrecognised. This volume presents a series of case studies on the historical collecting and usage of photographs in museums. Using critically informed empirical investigation, it explores substantive and historiographical questions such as what is the historical patterning in the way photographs have been produced, collected and retained by museums? How do categories of the aesthetic and evidential shape the history of collecting photographs? What has been the work of photographs in museums? What does an understanding of photograph collections add to our understanding of collections history more broadly? What are the methodological demands of research on photograph collections? The case studies cover a wide range of museums and collection types, from art galleries to maritime museums, national collections to local history museums, and international perspectives including Cuba, France, Germany, New Zealand, South Africa and the UK. Together they offer a fascinating insight into both the history of collections and collecting, and into the practices and poetics of archives across a range of disciplines, including the history of science, museum studies, archaeology and anthropology.




The Photographic Object 1970


Book Description

"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.