A Picture Palace Transformed


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Picture Palace


Book Description

World-famous photographer Maude Coffin Pratt has pointed her lens at the beautiful, obscure, and obscene, and at the private places and public parts of the famous, from Gertrude Stein to Graham Greene. When the seventy-year-old Maude rummages through her archives in preparation for a triumphant retrospective, the resurrected images unleash a flood of suppressed memories -- of her extraordinary life, her celebrated subjects, and the dark, painful secret at the core of her existence.




Childhood Transformed


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Childhood Transformed provides a pioneering study of the remarkable shift in the nature of working-class childhood in the nineteenth century from lives dominated by work to lives centered around school. The author argues that this change was accompanied by substantial improvements for many in the home environment, in health and nutrition, and in leisure opportunities. The book breaks new ground in providing a wide-ranging survey of different aspects of childhood in the Victorian period, the early chapters examining life at work in agriculture and industry, in the home and elsewhere, while the later chapters discuss the coming of compulsory education, together with changes in the home and in leisure activities. A separate section of the book is devoted to the treatment of deprived children, those in and out of the workhouse, on the streets, and also in prison, industrial schools and reformatories. Offering a fresh and more focused approach to the history of working-class children, this book should be of interest to all lecturers and students of nineteenth-century social history.




The Exhibitor


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Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.




The Bioscope


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Everybody Sing!


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During the 1920s, a visit to the movie theater almost always included a sing-along. Patrons joined together to render old favorites and recent hits, usually accompanied by the strains of a mighty Wurlitzer organ. The organist was responsible for choosing the repertoire and presentation style that would appeal to his or her patrons, so each theater offered a unique experience. When sound technology drove both musicians and participatory culture out of the theater in the early 1930s, the practice faded and was eventually forgotten. Despite the popularity and ubiquity of community singing—it was practiced in every state, in theaters large and small—there has been scant research on the topic. This volume is the first dedicated account of community singing in the picture palace and includes nearly one hundred images, such as photographs of the movie houses’ opulent interiors, reproductions of sing-along slides, and stills from the original Screen Songs “follow the bouncing ball” cartoons. Esther M. Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the basic components of a sing-along, explores the unique presentation styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children’s matinees of the 1930s.




Everyday Movies


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Everyday Movies documents the twentieth-century rise of portable film projectors. It demonstrates that since World War II, the vast majority of movie-watching did not happen in the glow of the large screen but rather took place alongside the glitches, distortions, and clickety-clack of small machines that transformed home, classroom, museum, community, government, industrial, and military venues into sites of moving-image display. Reorienting the history of cinema away from the magic of the movie theater, Haidee Wasson illustrates the remarkable persistence and proliferation of devices that fundamentally rejected the sleek, highly professionalized film show. She foregrounds instead another kind of apparatus, one that was accessible, affordable, adaptable, easy to use, and crucially, programmable. Revealing rich archival discoveries, this book charts a compelling and original history of film that brings to light new technologies and diverse forms of media engagement that continue to shape contemporary life.




Psalms and the Transformation of Stress


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Professor Sylva has written a major book in what Clifford Geertz terms "blurred genres." By that Geertz means a study that refuses to stay slotted in a specified scholarly discipline, but reaches across such distinctions, in order to face real and complex human issues. As biblical scholarship moves out of its more positivistic modes, it is able to make contact with human dimensions of the text that "objectivist" criticism had long precluded. In this book, Sylva with painstaking research and urbane articulation reflects upon how the Psalms touch fractured human conditions in healing ways. This is no surface interpreation of scripture for the sake of "an easy religious fix", and it is no "pop psychology", because the author has thought with great steadfastness and is informed on both sides of the interface. The power of his argument is in the detail of human stress and in the effective nuance of the poetry. For his interface he employs the intriguing term "theotherapy". I have no doubt that this book will become a major resource for bringing back together text and human reality that our recent interpretative past has rent asunder. Sylva invites us to a new conversation as we "blur" our safer points of reference. Walter Brueggemann Professor of Old Testament, Columbia Theological Seminary This book seeks to uncover the serious and deep ways in which the Psalms speak to the human situation. Few works that I know of have sought to bring the Psalms to bear on the stresses and strains, the functions and dysfunctions of the family as has been done here. Professor Sylva endeavors to show how the Psalms create a fundamental trust in God, a trust that moves out into all other relationships starting with the family. This is something that happened to me as a child and that I came to realize only much later. In this work, The Pslams are clearly not simply a springboard to say some things about family therapy. They are the heart of this book, and it is only as they are heard in detail that one then moves or is carried by them into a more secure family relationship. I hope very much that this work will enhance the reading and appropriation of the Psalms within the family as a source of family health and strength. Patrick D. Miller Professor of Old Testament Theology, Princeton Theological Seminary Dana Sylva is Associate Professor of Biblical Studies at Saint Francis Seminary in Milwaukee, Wisconsin. He is the editor of "Reimaging the Death of the Lukan Jesus" (1990), and he has published articles on Old testament and New Testament exegesis.




Brazil on the Rise


Book Description

A fabled country with a reputation for danger, romance and intrigue, Brazil has transformed itself in the past decade. This title, written by the go-to journalist on Brazil, intimately portrays a country of contradictions, a country of passion and above all a country of immense power.




The Happy Man Lied: A Tale of Trial, Truth and Transformation


Book Description

If you could but see it, nearly everything about the way human culture treats sex is expressive of fear. If sex were a child, it would be the most battered and brutalized child in the universe. In its genuine spiritual or authentic character, sex is repressed, suppressed, denied, covered up, legislated, caged, and not allowed to see the light of day; while, at the same time, in its institutionalized and public expressions it is distorted, exploited, ridiculed, flagrantly flashed in everyone's face and paraded through the streets. This book is the narration of a young man who died of AIDS in the early 1990's. It is a graphic description of his homosexual drives and engagements. Then it turns to his personal encounter with the Grace of God. That is followed by his ongoing transformation and a prophetic ministry from God through him. Can it ""aid"" the reader to wake-up to the power of the Risen One that resides within those that believe?