Music and the Cultures of Print


Book Description

This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.




Foreign Opera at the London Playhouses


Book Description

London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.




Fashionable Acts


Book Description

A vibrant look at changes in British elite culture through the lens of opera-going




Musica Practica


Book Description

Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.




Antjie Krog and the Post-Apartheid Public Sphere


Book Description

Antjie Krog has been known in Afrikaans literary circles and the media for decades because of her poetry and her strong political convictions. Often known simply as 'Antjie, ' she is also affectionately called 'our beloved poet' and our 'Joan of Arc' by Afrikaans commentators. It was through her work on the Truth and Reconciliation Commission as an SABC radio journalist and her subsequent book, Country of My Skull, that Antjie Krog then became known to English-speakers in South Africa and across the world. Her work catapulted her particular brand of poetics and politics, honed over many years of her opposition to apartheid, into the South African public sphere at a time when the country was not only looking for a humane and just resolution after the apartheid era, but was also establishing itself as a new democracy. These were heady days as South Africa discovered an exciting place in the world, as the country realized it had things to say and teach about race, conflict, and justice. It was also a time when the new government was seeking solutions and urging all those who could contribute positively to stand up and speak out. The language of 'public intellectuals' was in the air. This book considers how Antjie Krog - the prolific poet, journalist, non-fiction author, academic, and researcher - has made a significant contribution to the South African post-apartheid public sphere. Krog's inimitable style, rooted in her sensibility as a poet, has allowed her to develop a particular persona and subjectivity as a writer of testimony and witness. [Subject: Politics, African Studies, Apartheid Studies, Literature




The Walled Towns of Ireland


Book Description

Town walls were a common heritage for many Irish towns over long periods. The majority date from the Anglo-Norman period, but trends can be recognized which represent common themes throughout the centuries, especially the use of walled towns as 'refuges' for colonization projects. This study identifies, through surviving structures and documentary and murage evidence, the walled towns of Ireland. It provides a comprehensive investigation of site, shape, size (walled area and circuit length), structure (curtain walls, gates and towers, fosse, ramparts, associated castle/forts, and harbors) and construction, including length of time and financial arrangements. Defensive and other uses are considered. Volume 2 is the gazetteer companion of Volume 1. It comprises most of the larger and more important walled towns and includes as well many of the smaller Irish towns and even some whose development failed to make progress.