Intimate Assemblages


Book Description

Written in the aftermath of Indonesia's anti-queer panic in 2016, this book tells the story of local queer movements in challenging the heteronormative society and resisting the homophobic hostility from religious conservative groups and the state. The year 2016 was a touchstone moment for queer issues in Indonesia, marked by the ubiquity of anti-queer campaigns, along with the pervasive use of the term 'LGBT' in public. Drawing on historical archives and his engagements with local queer activisms, Hendri Yulius Wijaya traces the historical shifts of gender and sexual identities in Indonesia, from gay and lesbian, to LGBT, to SOGIE minorities, while exploring their connections with the country's socio-political circumstances and the globalization of queer rights. Using a strategic blend of queer theory and assemblage framework, Wijaya demonstrates how activists refashion transnational sexuality discourses to balance international developments of queer rights against the contingencies of daily life in Indonesia. Equally importantly, he sheds light on emerging practices in activist landscapes, including the emergence of sexuality experts and the professionalization of activisms. In analyzing the rising tide of homophobic paranoia, Wijaya further shows how the current anti-queer campaigns have branched out into a broader assault on feminism and promoted a form of 'aversion therapy' that positions same-sex attraction as a divine ordeal. Intimate Assemblages follows the travails of queer activists in defining what it means to be queer in contemporary Indonesia.




Terrorist Assemblages


Book Description

Tenth Anniversary Expanded Edition Ten years on, Jasbir K. Puar’s pathbreaking Terrorist Assemblages remains one of the most influential queer theory texts and continues to reverberate across multiple political landscapes, activist projects, and scholarly pursuits. Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, shifting queers from their construction as figures of death to subjects tied to ideas of life and productivity. This tenuous inclusion of some queer subjects depends, however, on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by what Puar calls homonationalism—a fusing of homosexuality to U.S. pro-war, pro-imperialist agendas. As a concept and tool of biopolitical management, homonationalism is here to stay. Puar’s incisive analyses of feminist and queer responses to the Abu Ghraib photographs, the decriminalization of sodomy in the wake of the Patriot Act, and the profiling of Sikh Americans and South Asian diasporic queers are not instances of a particular historical moment; rather, they are reflective of the dynamics saturating power, sexuality, race, and politics today. This Tenth Anniversary Expanded Edition features a new foreword by Tavia Nyong’o and a postscript by Puar entitled “Homonationalism in Trump Times.” Nyong’o and Puar recontextualize the book in light of the current political moment while reposing its original questions to illuminate how Puar’s interventions are even more vital and necessary than ever.




Deleuze and Race


Book Description

The first collection of essays on the Deleuzian study of race. An international and multidisciplinary team of scholars inaugurates this field with this wide-ranging and evocative array of case studies.




Visual Culture Studies


Book Description

Visual Culture Studies presents 13 engaging and detailed interviews with some of the most influential intellectuals working today on the objects, subjects, media and environments of visual culture. Exploring historical and theoretical questions of vision, the visual and visuality, this collection reveals the provocative insights of these thinkers as they have contributed in exhilarating ways to disturbing the parameters of more traditional areas of study across the arts, humanities, and social sciences. In so doing they have key roles in establishing Visual Culture Studies as a significant field of inquiry. Each interview draws out the interests and commitments of the interviewee to critically interrogate the past, present and future possibilities of Visual Culture Studies and visual culture itself. The discussions concentrate on three broad areas of deliberation: The intellectual and institutional status of Visual Culture Studies. The histories, genealogies and archaeologies of visual culture and its study. The diverse ways in which the experiences of vision, and the visual, can be articulated and mobilized to political, aesthetic and ethical ends. This book demonstrates the intellectual significance of Visual Culture Studies, and the ongoing importance of the study of the visual. Marquard Smith is Reader in Visual and Material Culture at Kingston University, London, and Editor-in-Chief of the Journal of Visual Culture.




Nouns of Assemblage


Book Description

NOUNS OF ASSEMBLAGE collects sixty-three of the strongest voices in small press fiction, from J. A. Tyler to xTx, from Kevin Sampsell to Cameron C. Pierce, with stories ranging from romantic to absurd to over-the-top violent and back again, covering the full gamut of what small press has to offer. Every story in this collection was written from a different collective noun, or "noun of assemblage," such as A MURDER OF CROW (by Tyler Gobble), or A LITTER OF PUPS (by Joseph Riippi), or A PLAGUE OF LOCUSTS (by Frank Hinton), and none of these stories are available anywhere else. This is the first official title from HOUSEFIRE, the innovative and groundbreaking publishing company located in Portland Oregon.




The Spiritual Dynamic in Modern Art


Book Description

This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.




Sociology of the Visual Sphere


Book Description

Visual Sphere as an object of sociological enquiry must be understood in terms of its complex interconnections with social relations, within which visual materials and visual knowledge are produced, circulated and consumed. This book aims to build a bridge between scholars in practice-based visual research, visual methodologists and researchers dealing with conceptual issues in visual sociology. Questions addressed by this text include: How is the visual relationship of the urban dwellers to the urban landscape being established? How are images of conflict being disseminated, what are the politics of their dissemination, and what limits and potential do they carry? What are the paradoxes of the phenomenon of iconoclasm? How can we visually access the phenomenon of urbanization? What are the major challenges for visual researchers using photo-elicitation interviews, focus groups or computer-based methods?




Kneeling Before Corn


Book Description

Focusing on the intimate relations that develop between plants and humans in the northern rural region of El Salvador, this book explores the ways in which more-than-human intimacies travel away from and return to the milpa through human networks. The chapters present innovative methodological and conceptual contributions to the study of relationships that form between plants and people.




Still Life with Rhetoric


Book Description

Winner of the 2016 CCCC Advancement of Knowledge Award and the 2016 CCCC Research Impact Award In Still Life with Rhetoric, Laurie Gries forges connections among new materialism, actor network theory, and rhetoric to explore how images become rhetorically active in a digitally networked, global environment. Rather than study how an already-materialized “visual text” functions within a specific context, Gries investigates how images often circulate and transform across media, genre, and location at viral rates. A four-part case study of Shepard Fairey’s now iconic Obama Hope image elucidates how images reassemble collective life as they actualize in different versions, enter into various relations, and spark a firework of activity across the globe. While intent on tracking the rhetorical life of a single, multiple image, Still Life with Rhetoric is most concerned with studying rhetoric in motion. To account for an image’s widespread circulation and emergent activities, Gries introduces iconographic tracking—a digital research method for tracing an image’s divergent rhetorical becomings. Yet Gries also articulates a dynamic set of theoretical principles for studying rhetoric as a distributed, generative, and unforeseeable event that is applicable beyond the study of visual rhetoric. With an eye toward futurity—the strands of time beyond a thing’s initial moment of production and delivery—Still Life with Rhetoric intends to be taken up by those interested in visual rhetoric, research methods, and theory.