Author : Willem M. Floor
Publisher :
Page : 484 pages
File Size : 46,1 MB
Release : 2008
Category : History
ISBN :
Preface -- 1. Marriage in Iran: a family affair -- 2. Temporary marriage: a formal affair -- 3. Prostitution: an extra-marital affair -- 4. Homosexual relations: a common affair -- 5. Venereal diseases in Iran: a public affair -- Afterword -- Bibliography -- Index -- Figures
Author : Willem M. Floor
Publisher :
Page : 348 pages
File Size : 28,80 MB
Release : 2005
Category : Art
ISBN :
Although most people do not speak of theatre and Iran in the same breath, dramatic expression has always been a fixture of Iranian culture. In traditional Iranian theatre, there was no real difference between high and low culture, although artists attached to the royal court and sponsored by the rich tended to be more competent than those who performed for the public at large. With the exception of religious and narrative drama, written texts were seldom used. The artists whether comedian, mime, puppeteer, elegist or storyteller performed both in public and private spaces. The arrival of European theatre, with its reliance on a written text and normative rather than improvisatory acting, was part of the modernisation process in Iran. European theatre was introduced to the country in 1878, enjoyed a hey-day in the early years of the twentieth century, and has experienced many ups-and-downs since then. Today, it once again enjoys great popularity. At the same time, traditional theatre is being rediscovered, and playwrights are using some of its forms to develop indigenous modern Iranian theatre-- a melding of the deep past and dynamic present.
Author : Janet Afary
Publisher : Cambridge University Press
Page : 425 pages
File Size : 44,93 MB
Release : 2009-04-09
Category : History
ISBN : 0521898463
This book charts the history of Iran's sexual revolution from the nineteenth century to today. The resilience of the Iranian people forms the basis of this sexual revolution, one that is promoting reforms in marriage and family laws, and demanding more egalitarian gender and sexual relations.
Author : Pardis Mahdavi
Publisher : Stanford University Press
Page : 344 pages
File Size : 39,75 MB
Release : 2009
Category : Social Science
ISBN : 0804758565
Investigates the emerging, new sexual culture of Iranian youth, in which sexuality represents freedom and engaging in sex can be considered political activism.
Author : Afsaneh Najmabadi
Publisher : Duke University Press
Page : 433 pages
File Size : 13,31 MB
Release : 2014-03-14
Category : Social Science
ISBN : 0822377292
Since the mid-1980s, the Islamic Republic of Iran has permitted, and partially subsidized, sex reassignment surgery. In Professing Selves, Afsaneh Najmabadi explores the meaning of transsexuality in contemporary Iran. Combining historical and ethnographic research, she describes how, in the postrevolutionary era, the domains of law, psychology and psychiatry, Islamic jurisprudence, and biomedicine became invested in distinguishing between the acceptable "true" transsexual and other categories of identification, notably the "true" homosexual, an unacceptable category of existence in Iran. Najmabadi argues that this collaboration among medical authorities, specialized clerics, and state officials—which made transsexuality a legally tolerated, if not exactly celebrated, category of being—grew out of Iran's particular experience of Islamicized modernity. Paradoxically, state regulation has produced new spaces for non-normative living in Iran, since determining who is genuinely "trans" depends largely on the stories that people choose to tell, on the selves that they profess.
Author : Willem M. Floor
Publisher :
Page : 236 pages
File Size : 16,86 MB
Release : 2005
Category : Art
ISBN :
Although in the last few years the study of painting in 19th century Iran has made considerable progress it still remains somewhat tradition bound. It would seem that art historians find it difficult to go beyond oil paintings, lacquer, and enamel. In 1998, Robinson, the doyen of Qajar art history, wrote: "Qajar painting found its most prestigious outlets in oil painting, lacquer, and enamel." In this study it is shown that paintings were probably the most important form of expression for painters for many centuries and as prestigious as the other forms of painting. Mural paintings were very popular and were to be found on various types of buildings ranging from the royal palaces, private homes, bath-houses to a religious shrine. Painting was a craft and a business that was actively pursued by artisans in most major towns in response to a general demand for-figurative art. As to the themes depicted these remained basically limited to (i) dynastic and epic (Qajar 'family portraits'; battles, hunts; Shahnameh scenes), (ii) sensual (flora, fauna, erotic), and (iii) religious (prophets, lmams, 'olama) subjects. These subjects occurred in any type of building irrespective of its function. The wide use of figurative representation in religious buildings and practice is of great interest. People almost invariably assume that Moslems until recent times did not tolerate paintings and the like of humans and animals adorning public and private buildings and publications. This study shows otherwise. There is even evidence of the use of paintings as religious icons, which is a totally neglected subject. Rock reliefs and other forms of sculptured works in and on buildings and its accessories such as doors show a similar development as mural paintings. Although information is even less copious than for wall paintings, it is clear that the depiction of living beings in the forms of sculptures was very widespread and pre-dates the Qajar period. The nature and form of murals were influenced by the increased contacts between Persia/Iran and the outside world, in particular Europe and India. This holds in particular for the use of prints and the occurrence of European scenes in frescos and other forms of paintings. Willem Floor has written extensively on many aspects of social, economic, and art history of Iran.
Author : Evliya Çelebi
Publisher :
Page : 0 pages
File Size : 36,85 MB
Release : 2010
Category : History
ISBN : 9781933823362
Travels in Iran and the Caucasus is a stimulating and informative account of an Ottoman administrator's missions to the region in the mid-seventeenth century. Evliya Chelebi's travelogue is not simply a diplomatic report, but rather a fascinating exploration of the religious, ethnic, artistic, and even culinary peculiarities of the region. In addition, it offers a fresh perspective on relations between the Ottomans and the Safavids during a period of relative calm in an otherwise stormy relationship. For the first time, the Iranian and Caucus sections of Chelebi's Siyahat-nameh have been translated from the original Turkish manuscript into English in their most complete form. As such, this book is a unique resource not only for scholars of Safavid Iran but also for those interested in the seventeenth century Middle East in general. Evliya Chelebi was born in Istanbul in 1611. He was renowned for his recitations of the Koran and was invited by the Ottoman sultan to study calligraphy, poetry, and music at the palace school. Chelebi traveled extensively on behalf of various patrons. His travels took him throughout the Ottoman Empire, Iran, and Europe. After settling in Cairo in 1671/72, he began recording his travels in a total of ten volumes, which were still unfinished at the time of his death in 1684/85.
Author : K. S. Batmanghelichi
Publisher : Bloomsbury Publishing
Page : 257 pages
File Size : 41,99 MB
Release : 2022-06-30
Category : Philosophy
ISBN : 1350195383
Breasts, Hands and Faces : Gazing at Iran's Mediascape -- Red-Lights in Parks : a Social History of Park-E Razi -- Post-Revolutionary 'Prostitution' and its Discontents -- Naked Modesty and the Reformation of Statues in Post-Revolutionary Iran -- HIV/AIDS and the Problem of 'Taboos' Talking.
Author : Ashkan Rezvani Naraghi
Publisher : Cambridge University Press
Page : 489 pages
File Size : 15,44 MB
Release : 2023-01-05
Category : History
ISBN : 1009194631
Tehran, the capital of Iran since the late eighteenth century, is now one of the largest cities in the Middle East. Exploring Tehran's development from the nineteenth to the mid-twentieth century, Ashkan Rezvani Naraghi paints a vibrant picture of a city undergoing rapid and dynamic social transformation. Rezvani Naraghi demonstrates that this shift was the product of a developing discourse around spatial knowledge, in which the West became the model for the social practices of the state and sections of Iranian society. As traditional social spaces, such as coffee houses, bathhouses, and mosques, were replaced by European-style cafes, theatres, and sports clubs, Tehran and its people were irreversibly altered. Using an array of archival sources, Rezvani Naraghi stresses the agency of everyday inhabitants in shaping urban change. This enlightening history not only allows us to better understand the contours of contemporary Tehran, but to develop a new way of imagining, talking about, and building 'the city'.
Author : Willem M. Floor
Publisher :
Page : 284 pages
File Size : 34,70 MB
Release : 2009
Category : Art
ISBN :
Merchants and bankers managed much of nineteenth-century Iran's economy and finances. The ulama-clerical leaders-who considered themselves responsible for the spiritual welfare of their flock also played an important economic role, in particular, through management of religious endowments. Numerically, however, the most important group was that of the traders and craftsmen, who were organized into guilds and who formed thirty to fifty percent of the urban population. Finally, there were the unskilled, mostly seasonal, laborers. Guilds, Merchants and Ulama analyzes the major functions and characteristics of these groups, and discusses how they each coped with the pressures of the world market to which Iran was increasingly exposed and which resulted in the disappearance of jobs reducing Iran's economic and political independence. After 1870, Iran's economic situation was aggravated by an influx of peasants into the main cities significantly increasing the size of permanent unskilled labor in these cities. Guilds only provided some measure of social and economic benefits and protection to its members but could not prevent major downsizing, which is detailed in a contemporary report included here in translation. Meanwhile, both the merchants and the ulama demanded government action to better protect the country's economy and its independence. To make a bigger fist, the ulama, merchants and reformists mobilized the guilds to support their political ends. As such, the guilds provided the force that powered the political events, which resulted in the Iranian Constitutional Revolution in 1906. The ulama's interference in economic life only made matters worse. They had no grasp of economics, beyond stating that people should not be greedy. And the guilds, despite their visible role during the 1905-06 events, found themselves used, and discarded when they were no longer needed. This created the parameters for major structural change to finally take place after 1925. In Guilds, Merchants, and Ulama Willem Floor provides a detailed analysis of primary source references essential for a better understanding of the socio-economic conditions that led to Iran's push toward modernization in the first quarter of the twentieth century.
