Study Guide to Of Human Bondage by W Somerset Maugham


Book Description

A comprehensive study guide offering in-depth explanation, essay, and test prep for W Somerset Maugham’s Of Human Bondage, agreed to be Maugham’s most noted and most important work. As a bildungsroman of the early 20th century, Of Human Bondage is Maugham’s strongly autobiographical story of the evolution of a young man through the storm and stress of youth. Moreover, Maugham writing is an example of finding serenity despite haunting and imperfect pasts. This Bright Notes Study Guide explores the context and history of Maugham’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.




A Study Guide for W. Somerset Maugham's "Of Human Bondage"


Book Description

A study guide for W. Somerset Maugham's "Of Human Bondage," excerpted from Gale's acclaimed Novels for Students series. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.




Of Human Bondage


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Of Human Bondage (1915) is a novel by W. Somerset Maugham. Inspired by his experiences as an orphan and young student, Maugham composed his masterpiece. Adapted several times for film, Of Human Bondage is a story of tragedy, perseverance, and the eternal search for happiness which drives us as much as it haunts our every move. Orphaned as a boy, Philip Carey is raised in an affectionless household by his aunt and uncle. Although his Aunt Louisa tries to make him feel welcome, William proves an uncaring, vindictive man. Left to fend for himself most days, Philip finds solace in the family’s substantial collection of books, which serve as an escape for the imaginative boy. Sent to study at a prestigious boarding school, Philip struggles to fit in with his peers, who abuse him for his intelligence and club foot. Despite his struggles, he perseveres in his studies and chooses his own path in life, moving to Heidelberg, Germany and denying his uncle’s wish that he attend Oxford. As he struggles to become a professional artist, Philip learns that one’s dreams are often unsubstantiated in the world of the living. Of Human Bondage is a tale of desire, disappointment, and romance by a master stylist with a keen sense of the complications inherent to human nature. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Of Human Bondage is a classic work of British literature reimagined for modern readers.




A Study Guide for W. Somerset Maugham's "The Razor's Edge"


Book Description

A Study Guide for W. Somerset Maugham's "The Razor's Edge," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.




The Moon and Sixpence


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Ashenden


Book Description

During World War I W. Somerset Maugham, already by then an established playwright and author, was recruited to be a British intelligence agent. These stories reflect his wartime experiences in intelligence gathering. Though fictionalized, they managed to retain enough authentic elements for Winston Churchill to advise Maugham that their publication might be a violation of the Official Secrets Act, resulting in the author burning an additional 14 stories. Set in various locales across the continent, these remaining Ashenden stories are a precursor to the jet-setting spy novels of the 1950s and 1960s. Maugham is known as a master short story writer and these stories are no exception, combining wit and realism to create memorable characters in a unique and highly critical portrait of wartime espionage. Initially released to a mixed reception—with an early review by D. H. Lawrence being especially scathing—Ashenden has since been credited as an inspiration for numerous authors, including John Le Carré, Graham Greene, and Raymond Chandler. The latter in particular was especially impressed, writing in 1950, “There are no other great spy stories—none at all. I have been searching and I know.” This book is part of the Standard Ebooks project, which produces free public domain ebooks.




Cakes and Ale


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The Secret Lives of Somerset Maugham


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He was a brilliant teller of tales, one of the most widely read authors of the twentieth century, and at one time the most famous writer in the world, yet W. Somerset Maugham’s own true story has never been fully told. At last, the truth is revealed in a landmark biography by the award-winning writer Selina Hastings. Granted unprecedented access to Maugham’s personal correspondence and to newly uncovered interviews with his only child, Hastings portrays the secret loves, betrayals, integrity, and passion that inspired Maugham to create such classics as The Razor’s Edge and Of Human Bondage. Portrayed in full for the first time is Maugham’s disastrous marriage to Syrie Wellcome, a manipulative society woman who trapped Maugham with a pregnancy and an attempted suicide. Hastings also explores Maugham’s many affairs with men, including his great love, Gerald Haxton, an alcoholic charmer. Maugham’s work in secret intelligence during two world wars is described in fascinating detail—experiences that provided the inspiration for the groundbreaking Ashenden stories. From the West End to Broadway, from China to the South Pacific, Maugham’s remarkably productive life is thrillingly recounted as Hastings uncovers the real stories behind such classics as Rain, The Painted Veil, Cakes & Ale, and other well-known tales.




The Summing Up


Book Description

DigiCat Publishing presents to you this special edition of "The Summing Up" by W. Somerset Maugham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




Mrs. Craddock


Book Description

Example in this ebook Chapter I This book might be called also The Triumph of Love. Bertha was looking out of window, at the bleakness of the day. The sky was sombre and the clouds heavy and low; the neglected carriage-drive was swept by the bitter wind, and the elm-trees that bordered it were bare of leaf, their naked branches shivering with horror of the cold. It was the end of November, and the day was utterly cheerless. The dying year seemed to have cast over all Nature the terror of death; the imagination would not bring to the wearied mind thoughts of the merciful sunshine, thoughts of the Spring coming as a maiden to scatter from her baskets the flowers and the green leaves. Bertha turned round and looked at her aunt, cutting the leaves of a new Spectator. Wondering what books to get down from Mudie’s, Miss Ley read the autumn lists and the laudatory expressions which the adroitness of publishers extracts from unfavourable reviews. “You’re very restless this afternoon, Bertha,” she remarked, in answer to the girl’s steady gaze. “I think I shall walk down to the gate.” “You’ve already visited the gate twice in the last hour. Do you find in it something alarmingly novel?” Bertha did not reply, but turned again to the window: the scene in the last two hours had fixed itself upon her mind with monotonous accuracy. “What are you thinking about, Aunt Polly?” she asked suddenly, turning back to her aunt and catching the eyes fixed upon her. “I was thinking that one must be very penetrative to discover a woman’s emotions from the view of her back hair.” Bertha laughed: “I don’t think I have any emotions to discover. I feel ...” she sought for some way of expressing the sensation—“I feel as if I should like to take my hair down.” Miss Ley made no rejoinder, but looked again at her paper. She hardly wondered what her niece meant, having long ceased to be astonished at Bertha’s ways and doings; indeed, her only surprise was that they never sufficiently corroborated the common opinion that Bertha was an independent young woman from whom anything might be expected. In the three years they had spent together since the death of Bertha’s father the two women had learned to tolerate one another extremely well. Their mutual affection was mild and perfectly respectable, in every way becoming to fastidious persons bound together by ties of convenience and decorum.... Miss Ley, called to the deathbed of her brother in Italy, made Bertha’s acquaintance over the dead man’s grave, and the girl was then too old and of too independent character to accept a stranger’s authority; nor had Miss Ley the smallest desire to exert authority over any one. She was a very indolent woman, who wished nothing more than to leave people alone and be left alone by them. But if it was obviously her duty to take charge of an orphan niece, it was also an advantage that Bertha was eighteen, and, but for the conventions of decent society, could very well take charge of herself. Miss Ley was not unthankful to a merciful Providence on the discovery that her ward had every intention of going her own way, and none whatever of hanging about the skirts of a maiden aunt who was passionately devoted to her liberty. They travelled on the Continent, seeing many churches, pictures, and cities, in the examination of which their chief aim appeared to be to conceal from one another the emotions they felt. Like the Red Indian who will suffer the most horrid tortures without wincing, Miss Ley would have thought it highly disgraceful to display feeling at some touching scene. She used polite cynicism as a cloak for sentimentality, laughing that she might not cry—and her want of originality herein, the old repetition of Grimaldi’s doubleness, made her snigger at herself. She felt that tears were unbecoming and foolish. “Weeping makes a fright even of a good-looking woman,” she said, “but if she is ugly they make her simply repulsive.” To be continue in this ebook