A Study of Bundi School of Painting


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Art Culture and Heritage of Rajasthan Study Material With MCQ


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Art-Culture and Heritage of Rajasthan detailed Study Notes with MCQ Index 1. Introduction 2. Language & Literature of Rajasthan 3. Rajasthani Folk Literature 4. Major Compositions of Literature of Rajasthan 5. Rock Inscriptions of Rajasthan 6. Fairs & Festivals of Rajasthan 7. Painting Art of Rajasthan 8. Handicraft of Rajasthan 9. Folk Arts of Rajasthan 10. Folk Dances of Rajasthan 11. Folk Dramas of Rajasthan 12. Folk Musical Instruments of Rajasthan 13. Bhakti Saints of Rajasthan 14. Lok Devta & Devis of Rajasthan 15. Forts & Palaces of Rajasthan 16. Temples & Mosques of Rajasthan 17. Cenotaph & Tombs Rajasthan 18. Havelis & Sculptures of Rajasthan 19. Practice MCQ Best wishes for your exams!!




Wonder of the Age


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Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.




Divine Pleasures


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As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.




Shooting a Tiger


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The figure of the white hunter sahib proudly standing over the carcass of a tiger with a gun in hand is one of the most powerful and enduring images of the empire. This book examines the colonial politics that allowed British imperialists to indulge in such grand posturing as the rulers and protectors of indigenous populations. This work studies the history of hunting and conservation in colonial India during the high imperial decades of the nineteenth and early twentieth centuries. At this time, not only did hunting serve as a metaphor for colonial rule signifying the virile sportsmanship of the British hunter, but it also enabled vital everyday governance through the embodiment of the figure of the officer–hunter–administrator. Using archival material and published sources, the author examines hunting and wildlife conservation from various social and ethnic perspectives, and also in different geographical contexts, extending our understanding of the link between shikar and governance.




Tourism Management


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This introductory text provides readers with a robust understanding of tourism and its industries, including how destinations are developed, marketed and managed, and how tourism impacts communities, environments and economies. The authors discuss the critical issues affecting 21st century tourism, such as sustainability, the climate crisis, globalisation, community, technology, the environment and the sharing economy. The text has been fully updated in light of the Covid-19 pandemic and its notable, and in some cases lasting, impacts on the tourism industry. The text features new mini-case studies (snapshots) and international case studies from countries around the globe including USA, Saudi Arabia, India, China, New Zealand, Australia, Namibia and the UK. It discusses the latest trends in transport, hospitality, attractions and the travel trade and includes examples from major tourism companies including Trip.com, TUI and Airbnb. The book is suitable for students who are starting their tourism studies as part of their college or university education. Clare Inkson is a Senior Lecturer in Tourism and Course Leader of BA Tourism with Business at the University of Westminster, London. Lynn Minnaert is the Academic Director and Clinical Associate Professor at New York University’s Jonathan M. Tisch Center for Hospitality and Tourism.




REET Level-II Teacher Exam-2022 (class: VI-VIII) Social Studies 15 Practice Sets


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In accordance with the latest notification for the Rajasthan Teacher Eligibility Test (REET) Level-II Social Studies Examination in 2022, the presented book of REET Level-II Classes (VI-VIII) Practice Sets has been prepared to assist the aspirants in their preparation. The Practice Sets are strictly based on the updated syllabus and paper pattern, and have been prepared by thorough analysis of previous years’ question papers, which will prove beneficial for the aspirants. Additionally, last years’ solved papers.




Rajasthani Miniatures


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- A comprehensive book on the miniature paintings of Rajasthan, it highlights the distinctiveness of the painting style - This volume contains an exquisite collection of paintings, painstakingly sourced from museums and private collectors - The study covers the various regions and rulers of Rajasthan, their influence on this style and the significant themes of the miniature paintings A large bulk of Indian miniature paintings comes from Rajasthan. These miniatures are endowed with warm colors, primitive vigor, directness of expression and all that corresponds to the unique land of Rajasthan. They encompass its fun and festivities, the charming women and heroic men who fought with valour, loved with great zeal and warmth, celebrated each moment of life and died like great heroes. The major schools of miniatures of Rajasthan are Mewar, Bikaner, Jodhpur, Nagaur, Jaipur, Alwar, Bundi, Kotah, Kishangarh and Nathdwara. The Rajasthani painter saw hardly any contradiction in combining romance with religion, or the mundane with the transcendental. Rajasthani Miniatures: The Magic of Strokes and Colors presents, through a detailed narrative and exquisite photographs, a glimpse into this art that has spanned several millennia. It traces the stylistic sources of Rajasthani miniatures, discovering elements that go beyond geography and time to reveal Rajasthani art's generic growth. The miniatures have varying styles, belong to different schools and have been painted under many succeeding patrons with different tastes and preferences. This book reflects the uniqueness of Rajasthani art, where shades and strokes come together in what almost appears as a divine interplay to create magic. Contents: Preface; Introduction; Stylistic Sources; Perception of Nature; Medium, Style and Color; Significant Themes; Schools of Rajasthani; Paintings; Acknowledgements; Glossary; Bibliography; Index.




Artistic Visions and the Promise of Beauty


Book Description

This volume examines the motives behind rejections of beauty often found within contemporary art practice, where much critically acclaimed art is deliberately ugly and alienating. It reflects on the nature and value of beauty, asking whether beauty still has a future in art and what role it can play in our lives generally. The volume discusses the possible “end of art,” what art is, and the relation between art and beauty beyond their historically Western horizons to include perspectives from Asia. The individual chapters address a number of interrelated issues, including: art, beauty and the sacred; beauty as a source of joy and consolation; beauty as a bridge between the natural and the human; beauty and the human form; the role of curatorial practice in defining art; order and creativity; and the distinction between art and craft. The volume offers a valuable addition to cross-cultural dialogue and, in particular, to the sparse literature on art and beauty in comparative context. It demonstrates the relevance of the rich tradition of Asian aesthetics and the vibrant practices of contemporary art in Asia to Western discussions about the future of art and the role of beauty.