Mozart-Bibliographien


Book Description

The work Mozart Bibliographies is published to commemorate Wolfgang Amadeus Mozart's 250th birthday. 1,612 independent and hidden bibliographies as well as reference works on Mozart's life, his works and his family are recorded here with commentaries. It also covers non-independent bibliographies, catalogues of his works, exhibition catalogues, discographies and filmographies. With a few exceptions, all the entries are based on title autopsy. The bibliographies are divided into titles on Mozart's family, Constanze Mozart, Karl Mozart, Leopold Mozart, Maria Anna (Nannerl) Mozart, Wolfgang Amadeus Mozart and Wolfgang Amadeus d. J. (Franz Xaver Wolfgang) Mozart. The extensive material is indexed by names, titles and subject headings, providing varied insights and access.




Eighteenth Century Life


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The Piano Quarterly


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Perspectives on Mozart Performance


Book Description

This book includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.




Comprehensive Dissertation Index


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Vols. for 1973- include the following subject areas: Biological sciences, Agriculture, Chemistry, Environmental sciences, Health sciences, Engineering, Mathematics and statistics, Earth sciences, Physics, Education, Psychology, Sociology, Anthropology, History, Law & political science, Business & economics, Geography & regional planning, Language & literature, Fine arts, Library & information science, Mass communications, Music, Philosophy and Religion.




The Improvising Mind


Book Description

The ability to improvise represents one of the highest levels of musical achievement. Yet what musical knowledge is 3equired for improvisation? How does a musician learn to improvise? What are the neural correlates of improvised performance? These are some of the questions explored in this unique and fascinating new book.




Mozart the Performer


Book Description

"Mozart today is known as one of the foremost composers in Western music; yet, during his lifetime, his compositional mastery seemed to pale in comparison with his achievements on the concert platform. Mozart knew that his fame was due to his piano playing and improvisations; and, as a result, much of the music he wrote was intended to serve a single aim: to set the stage, quite literally, for compelling and captivating performances. In his piano works, symphonies, and operas he sought to amuse, stir, and ravish an awe-struck public. Mozart the Performer brings to life this elusive side of Mozart's musicianship. Over the course of five "variations," Dorian Bandy traces the influence of showmanship on Mozart's style, imbuing his output with a theatricality and evanescence easily lost behind the scrim of familiarity. This insightful and imaginative book reveals the countless ways performance influenced Mozart's compositional habits, ultimately offering a genuinely novel understanding of why, centuries later, Mozart's music still captivates us and inspiring new ways of listening to it"--