Journalism Quarterly


Book Description

Includes section "Book reviews" and other bibliographical material.




Muckraking


Book Description

Printed together for the first time since their original publication in 1903, Ray Stannard Baker’s piece on the coal strike, "The Right to Work"; Lincoln Steffens’ exposé of political corruption, "The Shame of Minneapolis"; and Ida Tarbell’s story of corporate villainy, "The Oil War of 1872"; along with an editorial from S. S. McClure and the narrative of Ellen Fitzpatrick, invite students to explore and understand "muckraking."




Exposés and Excess


Book Description

From robber barons to titanic CEOs, from the labor unrest of the 1880s to the mass layoffs of the 1990s, two American Gilded Ages—one in the early 1900s, another in the final years of the twentieth century—mirror each other in their laissez-faire excess and rampant social crises. Both eras have ignited the civic passions of investigative writers who have drafted diagnostic blueprints for urgently needed change. The compelling narratives of the muckrakers—Upton Sinclair, Ida Tarbell, Lincoln Steffens, and Ray Stannard Baker among them—became bestsellers and prizewinners a hundred years ago; today, Cecelia Tichi notes, they have found their worthy successors in writers such as Barbara Ehrenreich, Eric Schlosser, and Naomi Klein. In Exposés and Excess Tichi explores the two Gilded Ages through the lens of their muckrakers. Drawing from her considerable and wide-ranging work in American studies, Tichi details how the writers of the first muckraking generation used fact-based narratives in magazines such as McClure's to rouse the U.S. public to civic action in an era of unbridled industrial capitalism and fear of the immigrant "dangerous classes." Offering a damning cultural analysis of the new Gilded Age, Tichi depicts a booming, insecure, fortress America of bulked-up baby strollers, McMansion housing, and an obsession with money-as-lifeline in an era of deregulation, yawning income gaps, and idolatry of the market and its rock-star CEOs. No one has captured this period of corrosive boom more acutely than the group of nonfiction writers who burst on the scene in the late 1990s with their exposés of the fast-food industry, the world of low-wage work, inadequate health care, corporate branding, and the multibillion-dollar prison industry. And nowhere have these authors—Ehrenreich, Schlosser, Klein, Laurie Garrett, and Joseph Hallinan—revealed more about their emergence as writers and the connections between journalism and literary narrative than in the rich and insightful interviews that round out the book. With passion and wit, Exposés and Excess brings a literary genre up to date at a moment when America has gone back to the future.







Sex Trafficking, Scandal, and the Transformation of Journalism, 1885-1917


Book Description

In Sex Trafficking, Scandal, and the Transformation of Journalism, Gretchen Soderlund offers a new way to understand sensationalism in both newspapers and reform movements. By tracing the history of high-profile print exposés on sex trafficking by journalists like William T. Stead and George Kibbe Turner, Soderlund demonstrates how controversies over gender, race, and sexuality were central to the shift from sensationalism to objectivity—and crucial to the development of journalism in the early twentieth century.




Muckrakers


Book Description

Tells how investigative reporting began with the muckrakers in the early 20th century.







The Dream of a New Social Order


Book Description

The Dream of a New Social Order




Empires of Print


Book Description

At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines. ​