A Study of Robert Schumann's Piano Sonata in F Minor, Op. 14
Author : So Young Jun
Publisher :
Page : 62 pages
File Size : 45,84 MB
Release : 2013
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Author : So Young Jun
Publisher :
Page : 62 pages
File Size : 45,84 MB
Release : 2013
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Author : Xiao Wang (Pianist)
Publisher :
Page : 42 pages
File Size : 45,1 MB
Release : 2018
Category : Musical analysis
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The objective of this dissertation is to review the discrepancies between Concert Sans Orchestre and Grande Sonate edited by Ernst Herttrich, Grosse Sonate No.3 Op.14 Erste and Zweite Ausgabe edited by Clara Schumann of Robert Schumann's No.3 Op.14, providing assistance for performers by clarifying inconsistencies between the three editions. Information in reference to major aspects such as notes, rhythms, metronome marking and expression signs is presented. Examples of discrepancies found throughout the first movement are discussed in Chapter 3. Suggested solutions are followed by each example.
Author : Jeannie Yu
Publisher :
Page : 90 pages
File Size : 28,57 MB
Release : 2005
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Author :
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Page : 73 pages
File Size : 16,39 MB
Release : 2006
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Robert Schumann's 3rd Piano Sonata Op.14, known also as "Concerto without Orchestra", belongs to a relatively small group of the composer's unpopular and least performed piano works. It rarely appears in recital programs, and when it happens to be performed, it is usually and erroneously listed under both titles. The adverse publication history of this composition, along with the sporadic revisions and substitutions made by the composer and editors, might well be among the key reasons for existing confusions about Op. 14 and its reputation of a bizarre by-product of Schumann's young years. This document presents a detailed study of the history of the piece, the circumstances around its publication, and editorial notes based on the analysis of the changes (corrections, deletions) made by the composer himself as well as the changes made by editors later. Specifically, the study intends to analyze the options of the original compositional plan of the piece; to determine whether the changes in its structure and details were intentional or accidental; and consider whether these changes improve the music or disfigure and impair an otherwise successful composition.
Author : D. J. Hoek
Publisher : Scarecrow Press
Page : 374 pages
File Size : 41,66 MB
Release : 2007-02-15
Category : Music
ISBN : 1461700795
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author : Boyan Lekov
Publisher :
Page : 140 pages
File Size : 28,48 MB
Release : 2009
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Page : 60 pages
File Size : 10,45 MB
Release : 2013
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Robert Schumann's music reflects the complexity of his life and psyche. Even Schumann himself acknowledged the challenges this presented to anyone attempting to understand his music, and the Piano Sonata no. 1 in F-sharp minor, op. 11 is an example of the complex inter-relationship between Schumann's music and life. This document will have a three-fold approach to discussing Schumann's Sonata. I will outline the literary characteristics of German Romantic authors, discuss how Schumann musically interprets these characteristics while reflecting other composers, and show how these techniques help add extra-musical significance to op. 11, particularly in connection with Clara. Robert Schumann's compositional style reveals a wide range of influences, such as Romantic authors Jean Paul Richter and E. T. A. Hoffmann and fellow composers Ludwig van Beethoven, Franz Schubert, and Johann Sebastian Bach. While these people were influential in Schumann's life, perhaps no one was more important to Schumann than Clara Wieck. During the composition of the Sonata op. 11, Clara's father, Friederick Wieck, attempted to end their relationship by sending Clara far away. Schumann used this Sonata as a means of communicating with Clara. These elements give op. 11 an additional level of meaning. I believe that this Sonata accurately reflects Schumann's influences, compositional style, and his life and that understanding this diverse spectrum of elements can be invaluable to anyone attempting to interpret this great work.
Author : Dean Elmer Boal
Publisher :
Page : 150 pages
File Size : 20,40 MB
Release : 1959
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Author : Robert Schumann
Publisher :
Page : 62 pages
File Size : 17,43 MB
Release : 1902
Category : Sonatas (Piano)
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Author : Harald Krebs
Publisher : New York : Oxford University Press
Page : 310 pages
File Size : 24,39 MB
Release : 1999
Category : Musical meter and rhythm
ISBN : 0195116232
Krebs presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. He describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in the compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text.