The Cathedrals of Pisa, Siena and Florence


Book Description

The construction techniques and concepts of the cathedrals of Pisa, Siena and Florence are examined in detail, based on new data and using a methodological architectural diagnostics approach. New detailed surveys, carried out using often advanced tools, together with direct and in-depth inspections to examine all parts of the buildings, have enabled us to identify the building phases and the different construction techniques used over time. The information thereby acquired also formed the basis for a new interpretation of the archival documents. Accordingly, the problems encountered and the solutions adopted in the three cathedrals have been understood: in Pisa the construction of the elliptical dome above the rectangular crossing consisting of six thin pillars below; in Siena the design changes from the first system in the 13th century to the ‘Duomo Nuovo’, and the structural adaptations following earthquakes; the specific construction solutions adopted in Florence during the instability encountered in the construction of the large vaults of the basilican body. The comparison of the three buildings in terms of architectural and construction solutions also revealed unexpected relationships between the construction events of Siena’s Duomo Nuovo and the solutions then used in the large basilican body of Santa Maria del Fiore. The methodology employed has led to an understanding of the actual structure of the three cathedrals, an essential basis for a correct evaluation of the state of conservation of the churches for any restoration work. The book is aimed at scholars of architecture and ancient building structures, graduate and postgraduate students, and architects and engineers who plan architectural conservation and strengthening works for historical buildings.




Siena, Florence, and Padua: Case studies


Book Description

The eleven papers in this volume present a series of case studies of major works of art either produced in Sien, Florence or Padua or executed by artists associated with the three cities. Contributors include: T Benton (The three cities compared: Urbanism) ; C Cunningham (The design of town halls) ; D Norman (Duccio's `Maestà') ; C Harrison (The Arena Chapel: Patronage and authorship) ; C King (Effigies: Human and Divine) ; T Benton (The design of Siena and Florence Duomos) ; D Norman (The paintings of the Sala dei Nove in the Palazzo Pubblico, Siena) ; D Norman (Change and continuity in Marian altarpieces) ; C King (Women as patrons: Nuns, widows and rulers) . These two volumes together form the basis of an Open University undergraduate course in art history.




How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries


Book Description

DigiCat Publishing presents to you this special edition of "How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries" by Elizabeth Boyle O'Reilly. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Cambridge History of Fifteenth-Century Music


Book Description

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.




Holy Treasure and Sacred Song


Book Description

Holy Treasure and Sacred Song explores the complex interplay between relic cults and the liturgy in medieval Tuscany. Drawing on documentary, literary and visual evidence rarely considered together, it reveals that liturgical texts, music, and ritual were integral to the clergy's well-informed promotion of saints buried in their churches.




The Nation


Book Description










The Juggler of Notre Dame and the Medievalizing of Modernity.


Book Description

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.




The Art and Science of the Church Screen in Medieval Europe


Book Description

Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.