Five Irish Writers


Book Description

Liam O'Flaherty, Kate O'Brien, Elizabeth Bowen, Sean O'Faolain, and Frank O'Connor--as Hildebidle demonstrates, all five authors saw in the Ireland that grew out of the events of 1916-1923 a nation that stifled the creative energies and bright hopes of its youth, and their fiction can be seen as responding in diverse ways to that reality.




Modernism in Irish Women's Contemporary Writing


Book Description

Modernism in Irish Women's Contemporary Writing examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world. Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.




Pinter’s World


Book Description

Pinter’s World: Pinter and Company is not a full-scale biography but a series of illuminating chapters about Pinter’s life, character, and thought, employing new information found in his “Appointment Diaries,” recent biographical sources such as Simon Gray’s memoirs, and Henry Woolf’s reminiscences in addition to personal discussions with several in Pinter’s world. This book provides a fresh illumination of Pinter’s life and art, his friendships, obsessions, and concerns.Material is arranged around themes, key concerns, Pinter’s activities. Pinter’s meetings and endeavors, for instance, with whom he met and when, when he wrote what and when, and his perspective at the time are documented. This work explores Pinter’s writing: drama, poetry, prose, journalism, and letters, which are here regarded as part of his aesthetic achievement. Pinter’s World: Pinter and Company presents a pointillist portrait of him through examining central concerns in his life. These encompass an obsession with the theater and games; delight in restaurants, demonstrating that Pinter is far removed from the socially awkward isolated figures populating his early work; and the women in Pinter’s world. Other areas examined include Pinter’s political engagement, from his adolescence to his last years, and the literary and other creative influences upon him. This work draws upon consultation of his papers at the British Library, including letters to others, especially close friends with whom he kept close contact for over half a century. These letters should be regarded on par with his other creative accomplishments. Pinter was a fascinating letter writer, whose letters reveal thoughts at the time of writing often in abrupt most colorful idiomatic language. His “Appointment Diaries” cannot reveal what actually occurred during his meetings, but they do provide a guide to what he did on a daily basis and whom he met. Memories from his friends, his professional colleagues, cricket players, and his second wife, Antonia Fraser, illuminate Pinter’s personality and actions. Pinter’s first literary love was poetry and, unlike most other Pinter studies, this one gives attention to his neglected poetic output that often reveals the real Pinter and the enigma that is at the heart of every great artist.




A Pagan Place


Book Description

In a diary-like stream of image, impression, expression and experience, this book catalogues the mundane agony of the poor Irish child confronted at every turn with abundant opportunities for a sensational, scandalous and steadfast descent into eternal fire and damnation.







Between Moon and Moon


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Adult Author-title Catalog


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Confessions of a Pagan Nun


Book Description

A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal) Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language. But disturbing events at the cloister keep intervening. As the monastery is rent by vague and fantastic accusations, Gwynneve's words become the one force that can save her from annihilation. “As a slant of sunlight illuminates jewels long buried, Kate Horsley's novel brings words to an ancient silence and a living, vivid presence to people who lived in that time of great changes and estrangements we call the Dark Ages.” —Ursula K. Le Guin




Saturday Review


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Country Girl


Book Description

"Country Girl is Edna O'Brien's exquisite account of her dashing, barrier-busting, up-and-down life."-National Public Radio When Edna O'Brien's first novel, The Country Girls, was published in 1960, it so scandalized the O'Briens' local parish that the book was burned by its priest. O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation. Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.