Principles of Orchestration


Book Description

Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.







Berlioz's Orchestration Treatise


Book Description

This is a book both by and about Berlioz, providing not only a translation but also an extensive commentary on his text, dealing with the instruments of Berlioz's time and comparing his instruction with his practice.




ORCHESTRATION


Book Description







The Orchestral Revolution


Book Description

This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.




A Treatise on Modern Instrumentation and Orchestration...


Book Description

Written by the celebrated French composer and conductor Hector Berlioz, this seminal work on orchestration is a classic of the genre. First published in 1844, the book guides composers and conductors through the intricacies of arranging and conducting music for large ensembles such as symphony orchestras. It also includes Berlioz's own groundbreaking essay on conducting, the Chef D'orchestre. Though written in the 19th century, Berlioz's insights and techniques remain relevant for musicians and music enthusiasts to this day. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Nineteenth-Century Opera and the Scientific Imagination


Book Description

Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.